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Edward Alexander Wadsworth

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Edward Alexander Wadsworth (1889-1949) was a British artist known for his contributions to the Vorticist movement, which sought to create a new form of art that reflected the modern world. Born in Cleckheaton, Yorkshire, Wadsworth studied at the Slade School of Fine Art in London before serving in World War I as a camouflage officer. This experience influenced his art, as he began to experiment with geometric shapes and bold colors. In the 1920s, Wadsworth became involved with the Vorticist movement, which was led by Wyndham Lewis. He contributed to the movement's magazine, Blast, and exhibite Edward Alexander Wadsworth (1889-1949) was a British artist known for his contributions to the Vorticist movement, which sought to create a new form of art that reflected the modern world. Born in Cleckheaton, Yorkshire, Wadsworth studied at the Slade School of Fine Art in London before serving in World War I as a camouflage officer. This experience influenced his art, as he began to experiment with geometric shapes and bold colors. In the 1920s, Wadsworth became involved with the Vorticist movement, which was led by Wyndham Lewis. He contributed to the movement's magazine, Blast, and exhibited his work alongside other Vorticist artists. Wadsworth's art often featured industrial and maritime themes, reflecting his interest in modern technology and the sea. After the decline of the Vorticist movement, Wadsworth continued to work as an artist and designer. He created murals for ocean liners and designed sets for the ballet. He also taught at the Royal College of Art in London. Wadsworth died in 1949, leaving behind a legacy as a pioneering modernist artist. ...


Oeuvre de 'Edward Alexander Wadsworth' trouvé, 68

Liverpool Shipping, 1918 (woodcut on Japan paper)
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Dazzled Ship in Dry Dock, Liverpool, 1918 (woodcut)
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Rue Fontaine de Caylus, Marseilles, France, 1924 (tempera on panel)
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The Open Window, c.1914 (woodcut)
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Mytholmroyd, c.1914 (woodcut)
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Newcastle, from Blast no.1,  1914 (print)
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Composition on a Pink Background, 1934 (tempera on gessoed panel)
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Bronze Ballet, 1940 (tempera on canvas mounted on wood)
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Black Country Drawing: Steel Works, 1919 (ink and w/c)
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Ladle Slag, Old Hill, 1, 1919-20 (litho)
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Sea Verge, 1943 (tempera on board)
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Bradford: View of a Town, c.1914 (woodcut) (see also 155399)
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Dazzle Camouflage, Ship in Dry Dock, 1918 (woodcut print)
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The Open Window, c.1914 (woodcut)
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Enclosure, 1915 (gouache, ink, pencil, & painted paper on paper)
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Newcastle, from Blast no.1,  1914 (print)
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A Limestone Quarry, 1942 (tempera on gessoed canvas laid on board)
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Conversation, 1934 (tempera on gessoed panel)
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The English Channel, 1934 (tempera on board)
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Holly Leaves, 1937 (print)
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