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'Maxwell Ashby Armfield' immagini e video risultati

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Maxwell Ashby Armfield

Biografia

(1882-1972)<br> The British painter and illustrator Maxwell Armfield is often associated with the North American school; a seven-year sojourn in the U.S.A. (1915-22) inspired some of his most significant landscapes and he achieved renown among the native artistic community. The juxtaposition of flat coloured and densely patterned surfaces lends his work a pronounced decorative quality. <br> <br> Armfield painted landscapes, portraits and still life. His work possesses an idiosyncratic charm and occasionally incorporates surreal elements. He subtly subverts conventional treatments. The str (1882-1972)<br> The British painter and illustrator Maxwell Armfield is often associated with the North American school; a seven-year sojourn in the U.S.A. (1915-22) inspired some of his most significant landscapes and he achieved renown among the native artistic community. The juxtaposition of flat coloured and densely patterned surfaces lends his work a pronounced decorative quality. <br> <br> Armfield painted landscapes, portraits and still life. His work possesses an idiosyncratic charm and occasionally incorporates surreal elements. He subtly subverts conventional treatments. The strong graphic aspect and overall finish of Armfield’s work means that it preserves its impact when broken up or viewed in its entirety. Portraits such as that of Geoffrey Barker or Keith Henderson represent the sexually ambivalent ideal of the belle-epoque.<br> ...


Opera di 'Maxwell Ashby Armfield' trovata, 141

I plunged them deep with the locks of gold (pen and ink on paper)
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The Golden Violin, c.1898 (oil on canvas)
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Faustine Couple looks bored taking tea served in an aquamarine, 1904 (oil on canvas)
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Mercury (pencil, gouache and w/c on paper)
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San Gimignano (tempera on panel)
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Oxford Circus, 1905 (oil on board)
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An Embroidery of Flowers, 1916 (textile)
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Self Portrait, 1901 (tempera on sketching board)
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Portrait of Keith Henderson in a Black Hood, 1902 (tempera on board) c.1902
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Central Park, New York, 1916 (egg tempera)
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Chillies (tempera on board)
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Datura in Bronze, (tempera on board)
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'Where the silence is more than all tunes, where sleep overflows from the heart', 1902 (pencil & w/c heightened with touches of bodycolour and with gum arabic on paper)
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January Flowers (tempera on board)
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Stranded Shells (tempera on copper)
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Self Portrait, c.1902 (tempera on panel)
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Harry Grenville-Barker, 1900 (tempera on board)
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Faustine (oil on canvas)
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Passion Flower, 1909 (w/c and ink on paper)
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Scheme for Samsara (Magus)
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Blues II, c.1968 (tempera on panel)
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Cagne, Summer, 1948 (oil on panel)
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Pinocchio Lavender, 1952 (tempera on panel)
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Marbella in the Sun (tempera on panel)
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Trees before Tamalpais, California (tempera on board)
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Giant Speedwell (tempera & pencil on canvas)
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Modern British (pencil, gouache & w/c on paper)
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Self-portrait, 1906 (pencil, w/c & bodycolour with gum arabic on paper)
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Cambridge: Queens' College from the River Bank (colour litho)
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Cambridge: Bridge and Gateway, Saint John's College (colour litho)
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All Washed and Ready (tempera on canvas laid onto panel)
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Siegfried, Act III, 1905 (tempera on canvas)
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Still Life with Roses in a Vase (w/c on paper) (pair of 2956884)
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Still Life with Roses and Carnations in a Vase (w/c on paper)
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Aquarius, c.1948 (pencil, pen, ink & w/c on paper)
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Percussion, 1925 (tempera on linen laid on board)
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Peaches and Glass, c.1925 (tempera on panel)
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The Winter's Tale by William Shakespeare
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The Winter's Tale by William Shakespeare, 1922 (print)
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Still Life with Flowers and Insects (tempera on panel)
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Fungi (panel)
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Tulips, 1909 (pencil, w/c and gouache)
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Shell and Comma Butterfly, c.1956 (tempera on wood)
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The Bather's Tent at Lulworth, 1908 (w/c on coloured paper)
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Baby's Toilette (litho)
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Cambridge: The Market Place (colour litho)
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Cambridge: Jesus College from the Fellows' Garden (colour litho)
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Cambridge: The University Library and King's College Chapel (colour litho)
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Still life with Pheasant's Eye Daffodil in a Pewter Vase (tempera on paper)
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Vase of Flowers on a gold Ground,  (tempera on board)
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Vase of Flowers on a Window Ledge,  (tempera on board)
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The Ice Plant, on the river Hudson, New York, 1916 (oil on canvas)
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Seven Sisters 1944, 1944 (tempera on board)
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The Attic Vase (tempera on panel)
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Morning, 1937 (tempera and gold paint on panel)
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Morning Glory (oil on board)
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Portrait of Constance Smedley Armfield, 1915 (oil on panel)
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The Window Seat - An Evening at Home, 1911 (tempera on canvas laid on board)
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The Winter's Tale by William Shakespeare
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Where the silence is more than all tunes, where sleep overflows from the heart (w/c and gouache, with applied gum arabic on whatman paper-surfaced artists' board)
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Rose Alb, 1952 (tempera on silk)
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Wild Antheriums, 1946 (tempera)
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The Secret Rose (Inspiration) 1904 (oil on canvas)
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Aries, c.1948 (pencil, pen, ink & w/c on paper)
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Soller, Mallorca - Early Morning (tempera on board)
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The Chinese Shelf (tempera on panel)
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Faustine (painting on canvas)
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Cambridge: Fishers' Lane, next the Great Bridge (colour litho)
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Cambridge: The President's Lodge, Queens' College (colour litho)
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Cambridge: The Mill at Grantchester (colour litho)
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Cambridge: View from Newnham Mill (colour litho)
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Fruit of the South (tempera on panel)
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Dancing Girl, 1915 (pen & ink on paper)
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Grape Vines and Jug, 1950 (tempera on canvas laid down of panel)
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Ole Man River (pencil, pen and crayon on paper)
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Trees at Chewton Bunny (tempera on board)
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