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Hugh Bulley

Biografia

The Dramatic Paintings of Hugh Bulley are brightly coloured and strikingly original interpretations of some of the greatest works of Classical and Western literature. Oxford University Press, Cambridge University Press, Naxos, and Penguin (Korea) have published his bold images as front covers. His illustrations have appeared in The Times Literary Supplement, and Le Monde, amongst other newspapers. Individual illustrations have featured in an art manual for Open University students in the UK; and in student textbooks by Larousse, and Nathan, Paris. Hugh Bulley’s career in the USA was The Dramatic Paintings of Hugh Bulley are brightly coloured and strikingly original interpretations of some of the greatest works of Classical and Western literature.

Oxford University Press, Cambridge University Press, Naxos, and Penguin (Korea) have published his bold images as front covers. His illustrations have appeared in The Times Literary Supplement, and Le Monde, amongst other newspapers. Individual illustrations have featured in an art manual for Open University students in the UK; and in student textbooks by Larousse, and Nathan, Paris.

Hugh Bulley’s career in the USA was launched by a group exhibition: Wash Art ’80, Washington DC: Original graphics by Major Artists of Tomorrow. He has exhibited his work at the Alex Rosenberg Fine Art gallery in New York, and in Solo Exhibitions in Arizona and Texas.

His group exhibitions in the UK, include: Wildenstein, and Burlington House, London; Brighton Art Gallery, and Glasgow Museum of Fine Arts. He has had solo exhibitions in Madrid, Spain; Basel, Switzerland, and at the Ashmolean Museum, Oxford.

Hugh Bulley’s series paintings of Voltaire’s Candide were published by The Centre International d’étude du XVIIIe siècle at Ferney-Voltaire in France, and reviewed by Philippe Sollers in Le journal du Mois: ‘Les illustrations sont pleines d’invention et de fraîcheur…’

Hugh Bulley was guest of honour of the mayor of Ferney-Voltaire for the town’s celebrations of the 250th anniversary of the publication of Voltaire’s Candide. The statue of Voltaire in the square, the town and its bus stops were bedecked with Bulley’s front cover image of the running figure of Candide.

Hugh Bulley’s most recent work has been on Horace’s Odes, Book I. This is his latest in a set of sixteen series paintings. The first, Peace, accompanied by three other of his series paintings, was shown in a solo exhibition at the Ashmolean Museum, Oxford, as: The Dramatic Paintings of Hugh Bulley. He has interpreted the following plays and literary works since:

Homer: The Odyssey
Aeschylus: The Persians, and Prometheus Bound
Aristophanes: Peace, The Acharnians, The Knights, The Birds, and Lysistrata
Horace: Odes, Book 1
Ovid: Metamorphoses
Shakespeare: Antony & Cleopatra (one canvas)
Arabian Nights translated by Sir Richard Burton
Voltaire: Candide, and Zadig
George Bernard Shaw: Caesar and Cleopatra
Bertolt Brecht: Mother Courage
Hugh Bulley: A Boy at Sea (memoirs)

His freshness of outlook in the visual interpretation of classical themes make his series of paintings appropriate for university picture galleries, and as powerful illustrations of the great works of drama and literature.
...

Education & Exhibitions

Exhibitions
  • 1990 The Dramatic Paintings of Hugh Bulley - Solo Exhibition, The Ashmolean Museum, Oxford
  • 1986 Thorens Gallery - Solo Exhibition, Basel, Switzerland
  • 1980 Alex Rosenberg Gallery (Group exhibition), 20W 57th St, New York, USA
  • 1980 Wash Art '80: Original Graphics by Major Artists of Tomorrow, Washington DC
  • 1975 Larcada Gallery - Solo Exhibition, 23E 67 St, New York, USA
  • 1972 Galeria Grosvenor - Solo Exhibition, Madrid, Spain
  • 1968 Brighton Art Gallery (Group Exhibition), Brighton, Sussex
  • 1967 Stable Gallery - Solo Exhibition, Scottsdale, Arizona, USA
  • 1966 Houston Galleries - Solo Exhibition, Texas, USA
  • 1966 Dallas North Gallery - Solo Exhibition, Dallas, Texas, USA
  • 1964 Royal Society of British Artists, 242nd Annual Exhibition, London
  • 1964 Society of Graphic Artists National Exhibition of Drawings and Prints, Royal Institute Galleries, Piccadilly, London
  • 1964 The Human Image - Contemporary Portrait Society, RWS Galleries, London
  • 1963 Royal Academy Summer Exhibition, Burlington House, London
  • 1962 Museum of Fine Arts, Glasgow, Scotland
  • 1961 Contemporary Portrait Society - Inaugural Exhibition with Duncan Grant, Augustus John, Edmund Kapp, Oskar Kokoschka and Graham Sutherland, Wildenstein, London
  • 1961 Royal Academy Summer Exhibition, Burlington House, London
  • 1960 Chelsea Arts' Society, Chenil Galleries, London
Education
  • 1963 Painting, Central School of Art and Design, London

Candide and his Valet, Cacambo, Drift in a Small Boat Towards the Land of Eldorado
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Candide, While in Venice, Unexpectedly Finds Himself Dining with Six Pretenders during the Carneval, illustration to Chapter 26 of 'Candide' by Voltaire (1694-1778) (collage)
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'Trygaeus returning to Athens with Peace and her attendants', illustration no. 4 to 'Peace' by Aristophanes, 1985 (oil on canvas)
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'The Lighthouse Quay', Act III, Scene II of 'Caesar and Cleopatra' by George Bernard Shaw, 1988 (oil on canvas)
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The Execution of Admiral John Byng by Firing Squad at Portsmouth on 14th March 1757, illustration to Chapter 23 of 'Candide' by Voltaire (1694-1778) (collage)
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Disputes and Audiences, Chapter 7 from 'Zadig ou la Destinée' by Voltaire (1694-1778) (oil on canvas)
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'Anna Fierling, sutler to the Second Finnish Regiment, detained by the recruiting officer and sergeant', illustration no. 1 to 'Mother Courage' by Bertolt Brecht (oil on canvas)
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'Mother Courage at the saxon city of Halle-an-der-Saale', illustration no. 11 to 'Mother Courage' by Bertolt Brecht (oil on canvas)
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Girl in a Hat, 1979 (oil on linen)
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Candide and Cacambo Witness Two Monkeys Pursuing Two Naked Women Before Being Themselves Prepared as Nourishment for the Oreillons, illustration to Chapter 16 of 'Candide' by Voltaire (1694-1778) (collage)
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Men attempt to fire the Acropolis and women arrive with water to quench the fire, 1996 (oil on linen)
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Dieter Roth, 1990s (collage)
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Waterlily pond, Botanischer Garten, Zurich, 1980s (chalk pastels on paper)
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Candide and Cunegonde, frontispiece for 'Candide' by Voltaire (1694-1778) (collage)
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Illustration for Chapter 24 of 'Candide' by Voltaire (1694-1778) (oil on canvas)
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The Plunge Bath, Plate XII from 'A Boy at Sea' (gouache on paper)
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The Monarch and the March Past, Plate 15 from 'A Boy at Sea' (gouache on paper)
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Alexandria Physical Training, Plate 27 from 'A Boy at Sea' (gouache on paper)
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Burning the Cyphers, Plate 30 from 'A Boy at Sea' (gouache on paper)
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Illustration for Chapter 22 of 'Candide' by Voltaire (1694-1778) (oil on canvas)
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The Fisherman, Chapter 15 from 'Zadig ou la Destinée' by Voltaire (1694-1778) (oil on canvas)
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The Hermit, Chapter 18 from 'Zadig ou la Destinée' by Voltaire (1694-1778) (oil on canvas)
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Illustration for Chapter 11 of 'Candide' by Voltaire (1694-1778) (oil on canvas)
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Normandy Beaches, Plate 37 from 'A Boy at Sea' (gouache on paper)
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The Generous Ones, Chapter 5 from 'Zadig ou la Destinée' by Voltaire (1694-1778) (oil on canvas)
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'The Retreat: The Persian Horde Attempts to Cross the Ice of the Sacred River Strymon', illustration no. 6 to 'Persians' by Aeschylus (oil on canvas)
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'The Desert', Act 1, Scene 1 of 'Caesar and Cleopatra' by George Bernard Shaw, 1988 (oil on canvas)
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'Trygaeus and Hermes with War and Tumult', illustration no. 2 to 'Peace' by Aristophanes, 1985 (oil on canvas)
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'The Eastern Harbour', Act V of 'Caesar and Cleopatra' by George Bernard Shaw, 1988 (oil on canvas)
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Candide Kills the Jesuit, Baron Thunder-ten-Tronckh as Cacambo Looks On, illustration to Chapter 15 of 'Candide' by Voltaire (1694-1778) (collage)
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Illustration for Chapter 27 of 'Candide' by Voltaire (1694-1778) (oil on canvas)
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The Admiral's Royal Marine, Plate 23 from 'A Boy at Sea' (collage)
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Title page to 'Zadig ou la Destinée' by Voltaire (1694-1778) (oil on canvas)
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Fir cone and parrot (mixed media)
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Double Minaret, Istanbul (mixed media)
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Pink Waterlilies, 1980s (chalk pastel on paper)
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Fruit bowl with pear and bananas, 1980s (mixed media)
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Illustration for Chapter 25 of 'Candide' by Voltaire (1694-1778) (oil on canvas)
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Illustration for Chapter 29 of 'Candide' by Voltaire (1694-1778) (oil on canvas)
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Mountbatten signals, Plate 16 from 'A Boy at Sea' (gouache on paper)
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HMS Cocker and Rescue, Plate 28 from 'A Boy at Sea' (gouache on paper)
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The Narrator Overboard, Plate 8 from 'A Boy at Sea' (gouache on paper)
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The Nose, Chapter 2 from 'Zadig ou la Destinée' by Voltaire (1694-1778) (oil on canvas)
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Landing an alien, Plate 18 from 'A Boy at Sea' (gouache on paper)
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The King Edwin Ablaze, Plate 33 from 'A Boy at Sea' (gouache on paper)
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The One Eyed, Chapter 1 from 'Zadig ou la Destinée' by Voltaire (1694-1778) (oil on canvas)
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'A servant sacrifices a horned sheep to Peace', illustration no. 5 to 'Peace' by Aristophanes, 1985 (oil on canvas)
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'Kattrin with her mother smoking a pipe', illustration no. 7 to 'Mother Courage' by Bertolt Brecht (oil on canvas)
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'Reunion of the Councillors of the Great King Before a Portico at Susa', illustration no. 1 to 'Persians' by Aeschylus (oil on canvas)
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Dr. Pangloss in Distress, illustration to Chapter 4 of 'Candide' by Voltaire (1694-1778) (collage)
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HMS Orion shells Pantelleria, Plate 34 from 'A Boy at Sea' (gouache on paper)
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The Pyre, Chapter 11 from 'Zadig ou la Destinée' by Voltaire (1694-1778) (oil on canvas)
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The Brigand, Chapter 14 from 'Zadig ou la Destinée' by Voltaire (1694-1778) (oil on canvas)
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Illustration for Chapter 12 of 'Candide' by Voltaire (1694-1778) (oil on canvas)
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Illustration for Chapter 5 of 'Candide' by Voltaire (1694-1778) (oil on canvas)
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The Unknown Cadet, Plate 11 from 'A Boy at Sea' (gouache on paper)
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The Defence of Stonehenge, Plate 20 from 'A Boy at Sea' (gouache on paper)
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The Revellers Return, Plate 26 from 'A Boy at Sea' (gouache on paper)
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HMS Eridge torpodoed, Plate 29 from 'A Boy at Sea' (gouache on paper)
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Santa Claus, Plate 5 from 'A Boy at Sea' (gouache on paper)
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The Dog and the Horse, Chapter 3 from 'Zadig ou la Destinée' by Voltaire (1694-1778) (oil on canvas)
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The Minister, Chapter 6 from 'Zadig ou la Destinée' by Voltaire (1694-1778) (oil on canvas)
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Bullock ploughing field, 1984 (collage on card)
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White waterlilies, 1980s (chalk pastel on paper)
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The Turkish Bath after Ingres, 1960s (collage)
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Jug, chair and the cactus (mixed media)
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Torrent at Flims (mixed media)
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Dikaiopolis packs up the informer Nicarchus as pottery, illustration no.4 to 'The Acharnians' by Aristophanes, 1996 (oil on linen)
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Water lilies and Cobblestones (mixed media)
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Dieter Roth, 1990s (collage)
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Imbibing the compo tea, Plate 29 from 'A Boy at Sea' (gouache on paper)
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St Simon Stylites, Plate 7 from 'A Boy at Sea' (gouache on paper)
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The Envious Ones, Chapter 4 from 'Zadig ou la Destinée' by Voltaire (1694-1778) (oil on canvas)
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'Watched by Hermes, Trygaeus flies on a giant beetle up to Mount Olympus', illustration no. 1 to 'Peace' by Aristophanes, 1985 (oil on canvas)
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'Mother Courage pulling the wagon' illustration no. 12 to 'Mother Courage' by Bertolt Brecht (oil on canvas)
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'The Throne-room of the Royal Palace at Alexandria', Act II, Scene II of 'Caesar and Cleopatra' by George Bernard Shaw, 1988 (oil on canvas)
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'The Royal Palace in Alexandria', Act 1, Scene 2 from 'Caesar and Cleopatra' by George Bernard Shaw, 1988 (oil on canvas)
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'Yvette going to market with Mother Courage', illustration no. 9 to 'Mother Courage' by Bertolt Brecht (oil on canvas)
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'Trygaeus bribing Hermes with a cup of gold', illustration no. 3 to 'Peace' by Aristophanes, 1985 (oil on canvas)
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'Mother Courage pulling the wagon with the chaplain and Kattrin' illustration no. 8 to 'Mother Courage' by Bertolt Brecht (oil on canvas)
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'The Lamentation of Xerxes', illustration no. 8 to 'Persians' by Aeschylus (oil on canvas)
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'Entry of the Queen on a Float with her Cortege: Her Dream', illustration no. 2 to 'Persians' by Aeschylus (oil on canvas)
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His Majesty the King of Eldorado Bids Farewell to Candide and Cacambo as they Leave his Kingdom, illustration to Chapter 18 of 'Candide' by Voltaire (1694-1778) (collage)
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The Governor of Buenos Aires, illustration to Chapter 13 of 'Candide' by Voltaire (1694-1778) (collage)
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The Aurora Borealis as Portent, Plate 10 from 'A Boy at Sea' (collage)
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Grenville Heads, Plate 13 from 'A Boy at Sea' (gouache on paper)
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Excitement at the River Dart, Plate 19 from 'A Boy at Sea' (gouache on paper)
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The Adelphi Hotel, Plate 22 from 'A Boy at Sea' (gouache on paper)
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The Jealousy, Chapter 8 from 'Zadig ou la Destinée' by Voltaire (1694-1778) (oil on canvas)
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Anne's pot and bread loaf (mixed media)
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