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Thomas Cole (1801-1848)


Opera di ' Thomas Cole (1801-1848)' trovata, 268

Expulsion from the Garden of Eden, 1828 (oil on canvas)
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Daniel Boone at His Cabin at Great Osage Lake, c.1826 (oil on canvas)
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View of the Round-Top in the Catskill Mountains, 1827 (oil on panel)
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From the Top of Kaaterskill Falls, 1826 (oil on canvas)
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American Lake Scene, 1844 (oil on canvas)
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The Picnic, 1846 (oil on canvas)
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Gnarled Tree Trunk, c.1826 (pen & brown ink over graphite pencil on cream wove paper)
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The Past, 1838 (oil on canvas)
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A View of the Two Lakes and Mountain House, Catskill Mountains, 1844 (oil on canvas)
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The Present, 1838 (oil on canvas)
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Double Waterfall - Kaaterskill Falls, 1826 (charcoal, black & white crayon and graphite pencil on paper)
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Layout for 'The Course of the Empire', 1833 (pen & brown ink over graphite pencil on off-white wove paper)
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Schroon Mountain, Adirondacks, c.1837 (black & white chalk on grey wove paper)
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Indian Pass, 1847 (oil on canvas)
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Maple, Balsam Fir, Pine, Shaggy Yellow Birch, White Birch, 1828 (graphite pencil on off-white wove paper)
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A View of the Two Lakes and Mountain House, Catskill Mountains, Morning, 1844 (oil on canvas)
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Elijah at the Mouth of the Cave, c.1829 (pen & ink over graphite on paper)
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Panorama of Florence, 1831-32 (pencil on paper)
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Untitled, 1841 (pencil on paper)
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Horseshoe Falls, Niagara, Morning, c.1829 (pen & brown ink over graphite on off-white wove paper)
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Layout for 'The Course of Empire', 1833 (pen & ink over pencil on paper)
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Hornby Lodge, 1839 (pencil on paper)
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Untitled (pencil on paper)
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Sketch for 'Destruction', from the 'Course of Empire' series, c.1836 (pen & ink on paper)
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Stormy Landscape, c.1832 (oil on paper)
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Untitled (atmospheric study with notations) 1825 (pen & brown ink over graphite pencil on paper)
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Panorama of the Oxbow on the Connecticut River as seen from Mount Holyoke, c.1833 (graphite pencil on wove paper)
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Study for the Cross and the World, c.1846 (oil on panel)
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Panorama of Florence, 1831-32 (pencil on paper)
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From the Top of Kaaterskill Falls, 1826 (graphite pencil on off-white wove paper)
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Effect for Newstead Abbey, Nottinghamshire, England, 1830 (brown wash over pencil on paper)
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The Vale and Temple of Segesta, Sicily, 1842 (pen & ink with wash over pencil on paper)
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The Head of Windermere, Lake District, England, 1829 (pen & ink over pencil on paper)
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On the Genesee, 1839 (pencil on paper)
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Lake of Dead Trees, Catskill, 1825 (graphite pencil on off-white paper)
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Ulysses and his Companions Arriving in the Bay neat Polyphemus' Cave, c.1842 (pencil on paper)
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Tracing of the Figures in the Voyage of Life: Old Age, c.1840 (pencil on tracing paper)
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House in Mount Desert, c.1844 (graphite heightened with white crayon on paper)
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Untitled (pencil on paper)
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Nude Male with Bow and Arrow (chalks on paper)
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River in the Catskills, 1843  (oil on canvas)
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Panorama of the Oxbow on the Connecticut River as seen from Mount Holyoke, c.1832 (pencil on paper)
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Colour Notes after Turner's Ulysses Deriding Polyphemus (pencil on paper)
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Chiaroscuro Notes after Turner's Ulysses Deriding Polyphemus (pencil on paper)
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Horatio Greenough, 1829-30 (pencil on paper)
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Beautiful Groups of Pines; Tints from Maples, New Hampshire, September 30th 1828 (w/c & graphite pencil on paper)
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Panorama of the Bay of Naples, c.1832 (pen & ink over pencil on paper)
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Newstead Abbey, Nottinghamshire, England, c.1830 (pen and black ink over graphite pencil on off-white wove paper)
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Hunter Standing in Cave near Rock and Waterfall, c.1828 (graphite pencil)
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Study for a Wild Scene, 1831 (oil on canvas)
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