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WD 961 f.248
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Arp 248 - Wild Triplet - Arp 248 - Wild's triplet - Group of interacting galaxies in the constellation Virgo. Interacting galaxies in Virgo
Saint Helena. 19th century (engraving)
Portrait of Lady, 1520 (pencil on paper)
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'Patagonian bolas'
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Hannibal  (248–183 or 182 BC), Carthaginian military commander
Hannibal  (248–183 or 182 BC), Carthaginian military commander
Bivalve mollusc
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Plate 248, from 'A Curious Herbal', 1737 (coloured engraving)
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Aquilegia
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Ensemble 248, 2024 (oil on silver gelatin print mounted on aluminium)
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Codex Atlanticus, sheet 248 verso, 1478-1518 (pen & ink)
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Agony. Anonymous painting. (Inv. N. 248). Galleria Estense, Modene.
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'Entry of the Queen on a Float with her Cortege: Her Dream', illustration no. 2 to 'Persians' by Aeschylus (oil on canvas)
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Interior of the chapel of St. Helena, Jerusalem. 19th century engraving.
Pyrus moire
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Pious image: St Helena, mother of Constantine the great (engraving)
Passiflora aurantia
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New York, New York: c. 1905
A Rotograph of actress Lillian Russell. It is Image # B-248 in the Series.
View around Abraham Trossel's House, no. 248 from 'Photographic Incidents of the War, the Battle-Field of Gettysburg (albumen print)
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Permian desert
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Tetrao urogallus
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Luis de Borbon's Family, by Francisco Goya y Lucientes, 1783 - 1784, 18th Century, oil on canvas, 248 x 328 cm
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Interior of Eskimo dwelling on west coast of Greenland, illustration from Teatro universale, Raccolta enciclopedica e scenografica, No 248, April 6, 1839
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Marie Marthe Alleon, Madame de Pre de Saint-Maur (c.1717-89) (pencil, red chalk, watercolour and gouache on paper) 1755-60
Luis de Borbon's Family, by Francisco Goya y Lucientes, 1783 - 1784, 18th Century, oil on canvas, 248 x 328 cm
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Spa Casino of Wiesbaden, Germany, illustration from Teatro universale, Raccolta enciclopedica e scenografica, No 248, April 6, 1839
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Edinburgh volcano
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View of the sarcophagus of Saint Helene decorated with Roman and barbarian horsemen (low relief)
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Luis de Borbon's Family, by Francisco Goya y Lucientes, 1783 - 1784, 18th Century, oil on canvas, 248 x 328 cm
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Luis de Borbon's Family, by Francisco Goya y Lucientes, 1783 - 1784, 18th Century, oil on canvas, 248 x 328 cm
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Luis de Borbon's Family, by Francisco Goya y Lucientes, 1783 - 1784, 18th Century, oil on canvas, 248 x 328 cm
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Luis de Borbon's Family, by Francisco Goya y Lucientes, 1783 - 1784, 18th Century, oil on canvas, 248 x 328 cm
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Luis de Borbon's Family, by Francisco Goya y Lucientes, 1783 - 1784, 18th Century, oil on canvas, 248 x 328 cm
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Byzantine fresco from the 15th century (detail) Helene, Emperor Constantine's mother Wall painting Michael Archangel Chapel, Galata village Cyprus Painted churches UNESCO site Troodos, Cyprus
Byzantine fresco from the 15th century (detail) Helene, Emperor Constantine's mother Wall painting Michael Archangel Chapel, Galata village Cyprus Painted churches UNESCO site Troodos, Cyprus
Luis de Borbon's Family, by Francisco Goya y Lucientes, 1783 - 1784, 18th Century, oil on canvas, 248 x 328 cm
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Woman Sun Bathing At The Beach (b/w photo)
Permian landscape
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Permian Britain
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Podilymbus podiceps, pied-billed grebe, Plate 248 from John James Audubon's Birds of America, original double elephant folio, 1827-30 (hand-coloured aquatint)
Illuminated page with profile of Aristide, Volume I, left 1, f 248 v, Vitae virorum illustrium, by Plutarch (ca 46-127), manuscript, Italy, 15th century
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The vision of St. Helene Saint Helene, mother of the Roman Emperor Constantine (306-337 AD.) is represented sitting, sleepy with her head resting on her hand; she makes the dream that made her find the true Cross, which she saw “materialized” and supported by an angelot. Painting by Paolo Veronese Caliari (1528-1588) 1580 Dim. 166x134 cm Rome, Pinacoteca Vaticana
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The finding of the true cross (oil on canvas, c. 1743)
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Saint Helene (248-328) and the Cross. Saint Helene, the mother of the Roman Emperor Constantine I (272-337) discovered the Holy Cross in Palestine (legend of the True Cross). Painting by Lorenzo Costa (1460-1535). Parish Church of the City of San Martino Dall'Argine.
Reindeer (Cervus tarandus), from Mammals illustrated from Nature with descriptions, by Johann Christian Daniel von Schreber (1739-1810), engraving by I Nufsbiegel, volume 5, table 248-C, Germany, 18th century
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MSS EUR G 45 10 'Persian and Sindh seals, engraved in Hyderbad by Fazil Mahomed, p.248 from Vol.5, of 'Papers of Augustus Fortunatus Bellasis, Bombay Civil Service 1842-72' (engraving)
Brera Madonna or Montefeltro Altarpiece or Brera Altarpiece (Pala Montefeltro o Pala di Brera o Pala di San Bernardino), by Pietro di Benedetto dei Franceschi detto Piero della Francesca, 1472 - 1474, 15th Century, oil and tempera on board, 248 x 170 cm
Brera Madonna or Montefeltro Altarpiece or Brera Altarpiece (Pala Montefeltro o Pala di Brera o Pala di San Bernardino), by Pietro di Benedetto dei Franceschi detto Piero della Francesca, 1472 - 1474, 15th Century, oil and tempera on board, 248 x 170 cm
Statue of Saint Helene - Basilique Saint Just (11th-12th century) in Valcabrere (Haute Garonne, Midi Pyrenees)
Norman instruments: violins 243, 245, a pipe organ 244, harps 246,249, lyre 247, lute 248, zither 250, hunting horn 251, and siege of a castle by archers and soldiers on a boat 252. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages.
Hannibal Crossing the Alps, c.1950 (pastel on coloured paper)
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Pluto's Atmosphere - Artist's View - Pluto's Atmosphere - Pluto's Artist's View surrounded by its thin atmosphere. In 1985 it was discovered that Pluto has an atmosphere, albeit a very tenuous one. Pluto's atmosphere arises only when it approaches closer to the Sun during its highly eccentric, 248 earth years long orbit. The atmosphere likely consists of nitrogen, methane, and carbon monoxide, which sublimate directly from Pluto's frozen surface. As Pluto's orbit moves it away from the Sun, these gases are believed to slowly precipitate back to Pluto's surface
Chatterbox - Couple Cycle
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MESMER SATIRISED 1834 (engraving)
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Coloured photograph of a masula boat at Madras, taken by Frederick Fiebig in c.1851.
The masula is a famous Madras surf boat, a light, open vessel designed and modified to work well through sea and surf conditions off a particular beach. It was flat-bottomed, high-sided, built in pliable sections of mango wood sewn together with coconut fibre, and paddled or rowed using a steering oar. Madras was a major Indian port but did not have a natural harbour. This view shows the boat beached on the foreshore with colonial buildings behind.
Coloured photograph of Black [George] Town in Madras, taken by Frederick Fiebig in c.1851. This is a view of a street with colonial buildings in the European section.
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