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Immagini di 'Tecnica Fotografica' trovate, 242

Portrait of an elderly woman, c.1855 (daguerreotype)
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Multu-coloured abstract (photo)
A Young Girl, c.1855 (stereo-daguerreotype)
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E. D'Arcy Irving, c.1855 (daguerreotype)
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Portrait of postman, possibly George Grigg, as a Doorman (w/c over bleached photo)
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Japanese Head, 1956 (mixed media on photographic paper)
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Portrait of a Scientist (daguerreotype)
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Nature Mort, c.1955 (daguerreotype)
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Employee of the Technical Assistance Agency on an emergency dam in Schönebeck (photo)
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Bear Selfie, 2015 (mixed media pencil, acrylic, digital)
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Half-length seated portrait of Rev. James Scott (c. 1800-1864), in left profile, holding a book in his lap. A portrait from a volume of calotype images and portraits. Early photographic technique also called Talbotype.
Vehicle of the Technical Assistance Agency travels through a flooded road of Waldersee (photo)
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Vehicle of the Technical Assistance Agency travels through a flooded road of Waldersee (photo)
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Jeanie Wilson and Annie Linton, Newhaven fisherwomen. Full-length portrait of the two women, Jeanie Wilson standing left beside a board of fish, Annie Linton seated right, apparently shucking oysters.
Battie coolies cooking.
'Balti coolies in camp'. [Albumen print, 156x99mm].
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'Cooking the Dinner'. Photographic portrait of a woman stirring a cooking pot over open fire.
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British Army Officer, 1855 (daguerreotype)
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Julieta, a study (Elizabeth Rigby, later Lady Elizabeth Eastlake). Full-length seated portrait, the sitter either sleeping or gazing downwards, wearing a large cross hanging from a necklace.
The Lady Ruthven. Full-length standing portrait of Lady Mary Hamilton Ruthven (1789-1855), with back turned to camera.
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Study of a boy. Full-length portrait of a young boy, identified as Master Grierson, son of the Rev. Dr. James Grierson. Standing in right profile against a doorway, a straw hat held in his right hand and a book in his left.
A port hole, Edinburgh Castle. Portrait of a sergeant and a private of the 92nd Gordon Highlanders posed beside a cannon in Edinburgh Castle.
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A sleeping child. Daughter of A. S. Logan Esq. Full-length portrait of the sleeping Elizabeth Logan, lying facing the camera, a doll held in her right arm.
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Miss Munro. Three-quarter length seated portrait of Justine Monro (later Gallie), looking down and slightly to the right, her left hand raised to her cheek.
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My sister Mary, Mrs. Watson. Half-length portrait, looking to the left and holding a book in her right hand, of David Octavius Hill's sister, Mary Watson.
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Mrs. Jamieson. Three-quarter length standing portrait, in half-profile, looking intently off to the left, of the art historian Anna Brownell Jameson (1794-1860).
Miss Munro and Misses Graham Binney. Three-quarter length portrait study of the three young ladies, their arms clasped round each other and looking off to the right.
Mrs. Rigby. Full-length seated portrait, looking off to the left, of Elizabeth Rigby (1809-1893), later Lady Eastlake.
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Louis Lumiere (1864-1948) French inventor and industrialist who invented motion-picture camera and projector Cinematograph and the color technique Autochrome in 1903
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Mr. & Mrs. James Stuart Wortley. Full-length study of Georgiana Elizabeth Stuart-Wortley (c. 1804-1884) seated in right profile, holding a book in her lap, her husband John Stuart Wortley (1801-1855) standing on the right, looking down towards her face.
Asleep among the grass. Master Hope Finlay. Full-length study of the sleeping child John Hope Finlay (1839-1907).
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Mr. George Kemp, Architect of the Scott Monument, Edinburgh. Full-length standing portrait of George Meikle Kemp (1795-1844), leaning against a partially carved masonry block.
John Stevens R.S.A. Three-quarter length portrait of the painter John Stevens (c. 1793-1868), standing beside a bust mounted on a plinth.
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A study [two sleeping girls]. Portrait of Sophia Finlay, with Harriet Farnie's head in her lap, posed as if asleep.
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Dr. Lane in an Indian dress. Full-length standing portrait of Dr Edward William or John Lane, in Indian dress and holding a jezail.
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Study "” Circassian Armour or Affghans. Full-length standing portrait of two men, dressed in chain mail. Other copies of this image also supply the alternative titles. The dress bears no resemblance to Afghan costume.
The Gowan. 'As if a fly had tickled slumber'. Study of two girls (Margaret and Mary McCandlish), lying in each other's arms in a garden, Mary asleep, with Margaret in the act of tickling her neck with a daisy.
Lady Eastlake. Three-quarter length seated portrait of Elizabeth Rigby (1809-1893), later Lady Eastlake, her head resting on her left hand and looking downwards.
Mrs. Rigby. Full-length standing portrait, taken out of doors and looking directly towards the camera, of Elizabeth Rigby (1809-1893), later Lady Eastlake.
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Edinburgh Ale. James Ballantyne, Dr. George Bell and D. O. Hill R.S.A. Portrait group of the the three men at drink, James Ballantyne (1808-1877) and George Bell (d. 1889) seated at a table, with David Octavius Hill (1802-1870) standing behind and to the right.
D. O. Hill Secretary and W. B. Johnstone Treasurer, Royal Scottish Academy. Full-length standing portrait of David Octavius Hill (1802-1870) and William Borthwick Johnstone (1804-1868), posed in a doorway.
Dr. George Bell, D. O. Hill R.S.A. hree-quarter length study, with Gerorge Bell (d. 1889) seated at table reading, and David Octavius Hill (1802-1870)standing behind him, his left arm round Bell's shoulder.
Dr. George Bell, Miss Bell and Revd. Thomas Bell. Outdoor portrait group, with Rev. Thomas Blizzard Bell (1815-1866) seated at a table, Dr George Bell (d. 1889) and Alexina Bell (Lady Alexina Moncrieff, d. 1874) standing behind.
Mr. Alexander Bryson, Queen's Horologer. Three-quarter length seated portrait Robert Bryson (1778-1852), looking off to the left and holding an unidentified object (presumably a chronometer of some kind).
Half-length seated portrait, in right profile, of the sculptor John Henning (1771-1851)
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Full-length standing portrait, striking a declamatory pose, of the artist Thomas Duncan (1807-1845), a stick held in his right hand, his left hand held against his waistcoat.
Rev. Jabes [sic, for Jabez] Bunting, D.D. Half-length seated portrait of the Rev. Dr. Jabez Bunting (1779-1858)
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Revd. Dr. John Brown. Three-quarter length seated portrait of the Rev. Dr. John Brown (1784-1858), seated at a table, looking off to the right, with a book held in his right hand.
David Octavius Hill. Head-and-shoulders left profile portrait of David Octavius Hill (1802-1870)
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James Aytoun. Half-length seated portrait in left profile, seated at a table holding a quill pen.
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John Robertson and Hugh Miller. Three-quarter length portrait of the two writers, seated in profile opposite each other at a small table. John Robertson is posed in the act of writing, Hugh Miller (1802-1856) reading a letter or paper.
Thomas Duncan R.S.A. and his brother James. Half-length seated portrait of the two brothers, James looking down and to the left, his hands clasped in front of him, his brother Thomas (1807-1845) looking intently at the camera, his right arm around James's shoulders.
Half-length portrait of Robert Stephen Rintoul (1787-1858), seated at a table reading. Rintoul was, from 1828-58, the first editor of 'The Spectator'.
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Three-quarter length seated portrait of the sculptor Alexander Handyside Ritchie (1804-1870), looking off to the right.
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John Murray Esq. Half-length seated portrait, in three-quarter profile facing right of the publisher John Murray (1808-1892), looking down at the books on the table in front of him.
Professor Alexander Monro. Half-length seated portrait, full-face, of the Professor of Anatomy Alexander Monro (1773-1859), holding a leather-bound volume in his right hand.
Dr Julius Wood. Three-quarter length seated portrait of the Rev. Dr. John Julius Wood (1800-1877), in half-profile facing right and holding a book in his lap to display the title: 'Scotch Church Malta 1843'..
Dunbarton Presbytery, Free Church. Group of four men seated round a table, examining a paper. Identified as Rev. William Alexander (1808-1890), McMillan of Cardross, Rev. James Smith (or Goodsir) (1806-1852) and Rev. John Pollock (d.1855).
P. S. Fraser Esq. and Dr. Burt. An intimate and relaxed half-length portrait of the the two men, both reading the same book. John MacDonald Burt (1811-1868) looks over and rests his hand on the left shoulder of Peter Scott Fraser.
Master James Miller. Full-length portrait of James (Jimmy) Miller, standing in Scottish dress and looking directly towards the camera, a helmet on the chair behind him.
Byrne "” The Irish Harper. Full-length portrait, in right profile, of the blind Irish harpist Patrick Byrne, seated playing the harp.
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Revd. Dr. Duncan of Ruthwell, founder of Savings Banks. Full-length portrait of the Rev. Dr. Henry Duncan (1774-1846), seated out of doors and looking directly towards the camera.
Revd. Dr. Welsh. alf-length seated portrait of the Rev. Dr. David Welsh (1793-1864), taken from a low angle and with the sitter looking off to the right. Welsh was Professor of Church History at Edinburgh University 1831-1843 and at the Free Church College 1844-45.
Finlay of Colonsay. Three-quarter length seated portrait of the deerstalker Finlay, looking off to the left. The sitter wears a tartan tunic and holds a deerstalking telescope in his lap.
Full-length portrait of the artist David Roberts (1796-1864), posed in the open air in Greyfriars Churchyard and looking off to the left, clasping a book in front of him and with his top hat placed on the ground beside him.