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Opera di ' David Octavius Hill (1802-70)' trovata, 112

Half-length portrait of Robert Stephen Rintoul (1787-1858), seated at a table reading. Rintoul was, from 1828-58, the first editor of 'The Spectator'.
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My sister Mary, Mrs. Watson. Half-length portrait, looking to the left and holding a book in her right hand, of David Octavius Hill's sister, Mary Watson.
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Mrs. Jamieson. Three-quarter length standing portrait, in half-profile, looking intently off to the left, of the art historian Anna Brownell Jameson (1794-1860).
Miss Munro. Three-quarter length seated portrait of Justine Monro (later Gallie), looking down and slightly to the right, her left hand raised to her cheek.
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John Robertson and Hugh Miller. Three-quarter length portrait of the two writers, seated in profile opposite each other at a small table. John Robertson is posed in the act of writing, Hugh Miller (1802-1856) reading a letter or paper.
A study [two sleeping girls]. Portrait of Sophia Finlay, with Harriet Farnie's head in her lap, posed as if asleep.
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Study "” Circassian Armour or Affghans. Full-length standing portrait of two men, dressed in chain mail. Other copies of this image also supply the alternative titles. The dress bears no resemblance to Afghan costume.
Newhaven fisherwomen. Full-length portrait of the two women, carrying wicker fish baskets on their backs.
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Matrons and Maids, Newhaven. Group portrait of five Newhaven fisherwomen, Mrs Grace Ramsay and four unidentified women.
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St Andrews Fisherfolk. Group of women and children seated in the street baiting lines. [Stevenson (1981), 'St Andrews 35' there titled: 'North Street, Fishergate, women and children baiting the lines'.]
Newhaven. Saunders, Mucklebackit of Musselcrac. Full-length portrait of the Newhaven fisherman Sandy (or James) Linton, leaning against a Newhaven fishing boat, with three young boys seated beside the boat.
Rev. Jabes [sic, for Jabez] Bunting, D.D. Half-length seated portrait of the Rev. Dr. Jabez Bunting (1779-1858)
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Thomas Duncan R.S.A. and his brother James. Half-length seated portrait of the two brothers, James looking down and to the left, his hands clasped in front of him, his brother Thomas (1807-1845) looking intently at the camera, his right arm around James's shoulders.
Three-quarter length seated portrait of the sculptor Alexander Handyside Ritchie (1804-1870), looking off to the right.
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Revd. Dr. John Brown. Three-quarter length seated portrait of the Rev. Dr. John Brown (1784-1858), seated at a table, looking off to the right, with a book held in his right hand.
Dr. Lane in an Indian dress. Full-length standing portrait of Dr Edward William or John Lane, in Indian dress and holding a jezail.
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Full-length portrait of the artist David Roberts (1796-1864), posed in the open air in Greyfriars Churchyard and looking off to the left, clasping a book in front of him and with his top hat placed on the ground beside him.
Revd. Dr. Duncan of Ruthwell, founder of Savings Banks. Full-length portrait of the Rev. Dr. Henry Duncan (1774-1846), seated out of doors and looking directly towards the camera.
Lady Eastlake. Three-quarter length seated portrait of Elizabeth Rigby (1809-1893), later Lady Eastlake, her head resting on her left hand and looking downwards.
Finlay of Colonsay. Three-quarter length seated portrait of the deerstalker Finlay, looking off to the left. The sitter wears a tartan tunic and holds a deerstalking telescope in his lap.
Revd. Dr. Welsh. alf-length seated portrait of the Rev. Dr. David Welsh (1793-1864), taken from a low angle and with the sitter looking off to the right. Welsh was Professor of Church History at Edinburgh University 1831-1843 and at the Free Church College 1844-45.
Dunbarton Presbytery, Free Church. Group of four men seated round a table, examining a paper. Identified as Rev. William Alexander (1808-1890), McMillan of Cardross, Rev. James Smith (or Goodsir) (1806-1852) and Rev. John Pollock (d.1855).
John Knox's House, Edingburgh. View looking along the High Street towards the house.
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Linlithgow is excelling'. Linlithgow Palace wall. Close view of niches and sculptural detail above the main entrance.
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Newhaven. Dolce far niente. A group of men in top hats gathered around a fishing boat. Sailors. In white trousers and top hats. A fishing community at work.
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Mr. & Mrs. James Stuart Wortley. Full-length study of Georgiana Elizabeth Stuart-Wortley (c. 1804-1884) seated in right profile, holding a book in her lap, her husband John Stuart Wortley (1801-1855) standing on the right, looking down towards her face.
The Martyr's Tomb,Grayfriars "” Edinburgh. View of the Martyr's Memorial and the McCulloch Monument, with a couple in conversation in the foreground. She is seated with her back to the camera, he leans over her addressing her.
P. S. Fraser Esq. and Dr. Burt. An intimate and relaxed half-length portrait of the the two men, both reading the same book. John MacDonald Burt (1811-1868) looks over and rests his hand on the left shoulder of Peter Scott Fraser.
The House of Death [William Leighton Leitch]. Full-length portrait of William Leighton Leitch (1804-1883), dressed as one of the monks of Kennaquhair from Sir Walter Scott's 'The Abbot', standing in the doorway of a house.
Mrs. Rigby. Full-length standing portrait, taken out of doors and looking directly towards the camera, of Elizabeth Rigby (1809-1893), later Lady Eastlake.
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Byrne "” The Irish Harper. Full-length portrait, in right profile, of the blind Irish harpist Patrick Byrne, seated playing the harp.
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Master James Miller. Full-length portrait of James (Jimmy) Miller, standing in Scottish dress and looking directly towards the camera, a helmet on the chair behind him.
Edinburgh Old and New (oil on panel)
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John Stevens R.S.A. Three-quarter length portrait of the painter John Stevens (c. 1793-1868), standing beside a bust mounted on a plinth.
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Mr. George Kemp, Architect of the Scott Monument, Edinburgh. Full-length standing portrait of George Meikle Kemp (1795-1844), leaning against a partially carved masonry block.
Nasmyth's (Naismith's) Tomb, Grayfriars "” Edinburgh. View of the tomb, with two figures examing the monument: these have been identified as David Octavius Hill (1802-18700 seated on the ground pointing to a detail, with Thomas Duncan (1807-1845) standing to the right.
Elizabeth Johnston, Newhaven. Full-length portrait of the fisherwoman Elizabeth Johnston, seated looking downwards with a pensive expression, her right arm resting on an arrangement of two wicker fish baskets.
The Dredging Sans, Newhaven. Unidentified group of women carrying washing.
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The Gowan. 'As if a fly had tickled slumber'. Study of two girls (Margaret and Mary McCandlish), lying in each other's arms in a garden, Mary asleep, with Margaret in the act of tickling her neck with a daisy.
Newhaven fishermen. Full-length portrait of two Newhaven fishermen, seated on the quayside, with a basket of lines beside them. One sitter is identified as David Young.
Asleep among the grass. Master Hope Finlay. Full-length study of the sleeping child John Hope Finlay (1839-1907).
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Julieta, a study (Elizabeth Rigby, later Lady Elizabeth Eastlake). Full-length seated portrait, the sitter either sleeping or gazing downwards, wearing a large cross hanging from a necklace.
Mr. Henning as Edie Ochiltree, a study at Bonaly. Half-length portrait of John Henning (1771-1851), asleep in the open air, wearing a sun hat and grasping a staff. He is dressed as Edie Ochiltree, the blue-gown beggar in Sir Walter Scott's 'The Antiquary'.
Roslin. View of a window in the upper storey of Roslin Chapel, with an unidentified man seated in the left foreground.
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Newhaven Fisherwomen. Group portrait of five women with their creels, the figure on the left reading a letter. Three of the women are identified as Mrs Margaret (Dryburgh) Lyall, Marion Finlay and Mrs Grace (Finlay) Ramsay.
Half-length seated portrait, in right profile, of the sculptor John Henning (1771-1851)
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Mr. Alexander Bryson, Queen's Horologer. Three-quarter length seated portrait Robert Bryson (1778-1852), looking off to the left and holding an unidentified object (presumably a chronometer of some kind).
Full-length standing portrait, striking a declamatory pose, of the artist Thomas Duncan (1807-1845), a stick held in his right hand, his left hand held against his waistcoat.
The Lady Ruthven. Full-length standing portrait of Lady Mary Hamilton Ruthven (1789-1855), with back turned to camera.
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Study of a boy. Full-length portrait of a young boy, identified as Master Grierson, son of the Rev. Dr. James Grierson. Standing in right profile against a doorway, a straw hat held in his right hand and a book in his left.
A Love Reverie, Newhaven. Full-length seated portrait of a fisherwoman, with a wicker basket on the ground beside her. Identified as Jeanie Wilson.
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St. Mary's College, St. Andrews. General view, looking west across North Street towards the College Church of St Salvator.
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Fisher Laddies, Newhaven. Our Coast-Guards to be. Group of boys posed on the beach in front of the bow of a Newhaven fishing boat.
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Edinburgh Ale. James Ballantyne, Dr. George Bell and D. O. Hill R.S.A. Portrait group of the the three men at drink, James Ballantyne (1808-1877) and George Bell (d. 1889) seated at a table, with David Octavius Hill (1802-1870) standing behind and to the right.
Rodding the line, Newhaven. Three-quarter length seated portrait of the young fisherman Willie Liston redding (i.e. baiting) fishing line.
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Newhaven Fisherwomen. Waiting for the Boats. Group of Mrs Logan and two unidentified woman, pose with their wicker baskets.
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Study of children. Half-length portrait of two young girls (the misses Grierson), both wearing tartan dresses of the same pattern. One child is seated, the other stands, with her arms around the seated child.