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David Octavius Hill (1802-70)' 图片和/或视频结果

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[2, 无限] 来自' David Octavius Hill (1802-70)'的艺术作品找到,112

Newhaven fisherwomen. Full-length portrait of the two women, carrying wicker fish baskets on their backs.
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Newhaven. Saunders, Mucklebackit of Musselcrac. Full-length portrait of the Newhaven fisherman Sandy (or James) Linton, leaning against a Newhaven fishing boat, with three young boys seated beside the boat.
Matrons and Maids, Newhaven. Group portrait of five Newhaven fisherwomen, Mrs Grace Ramsay and four unidentified women.
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St Andrews Fisherfolk. Group of women and children seated in the street baiting lines. [Stevenson (1981), 'St Andrews 35' there titled: 'North Street, Fishergate, women and children baiting the lines'.]
Rev. Jabes [sic, for Jabez] Bunting, D.D. Half-length seated portrait of the Rev. Dr. Jabez Bunting (1779-1858)
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Study "” Circassian Armour or Affghans. Full-length standing portrait of two men, dressed in chain mail. Other copies of this image also supply the alternative titles. The dress bears no resemblance to Afghan costume.
John Robertson and Hugh Miller. Three-quarter length portrait of the two writers, seated in profile opposite each other at a small table. John Robertson is posed in the act of writing, Hugh Miller (1802-1856) reading a letter or paper.
My sister Mary, Mrs. Watson. Half-length portrait, looking to the left and holding a book in her right hand, of David Octavius Hill's sister, Mary Watson.
Mrs. Jamieson. Three-quarter length standing portrait, in half-profile, looking intently off to the left, of the art historian Anna Brownell Jameson (1794-1860).
Miss Munro. Three-quarter length seated portrait of Justine Monro (later Gallie), looking down and slightly to the right, her left hand raised to her cheek.
Half-length portrait of Robert Stephen Rintoul (1787-1858), seated at a table reading. Rintoul was, from 1828-58, the first editor of 'The Spectator'.
Three-quarter length seated portrait of the sculptor Alexander Handyside Ritchie (1804-1870), looking off to the right.
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Revd. Dr. John Brown. Three-quarter length seated portrait of the Rev. Dr. John Brown (1784-1858), seated at a table, looking off to the right, with a book held in his right hand.
A study [two sleeping girls]. Portrait of Sophia Finlay, with Harriet Farnie's head in her lap, posed as if asleep.
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Dr. Lane in an Indian dress. Full-length standing portrait of Dr Edward William or John Lane, in Indian dress and holding a jezail.
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Mrs. Rigby. Full-length standing portrait, taken out of doors and looking directly towards the camera, of Elizabeth Rigby (1809-1893), later Lady Eastlake.
Mr. & Mrs. James Stuart Wortley. Full-length study of Georgiana Elizabeth Stuart-Wortley (c. 1804-1884) seated in right profile, holding a book in her lap, her husband John Stuart Wortley (1801-1855) standing on the right, looking down towards her face.
Linlithgow is excelling'. Linlithgow Palace wall. Close view of niches and sculptural detail above the main entrance.
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Newhaven. Dolce far niente. A group of men in top hats gathered around a fishing boat. Sailors. In white trousers and top hats. A fishing community at work.
Dunbarton Presbytery, Free Church. Group of four men seated round a table, examining a paper. Identified as Rev. William Alexander (1808-1890), McMillan of Cardross, Rev. James Smith (or Goodsir) (1806-1852) and Rev. John Pollock (d.1855).
The Martyr's Tomb,Grayfriars "” Edinburgh. View of the Martyr's Memorial and the McCulloch Monument, with a couple in conversation in the foreground. She is seated with her back to the camera, he leans over her addressing her.
P. S. Fraser Esq. and Dr. Burt. An intimate and relaxed half-length portrait of the the two men, both reading the same book. John MacDonald Burt (1811-1868) looks over and rests his hand on the left shoulder of Peter Scott Fraser.
John Knox's House, Edingburgh. View looking along the High Street towards the house.
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Full-length portrait of the artist David Roberts (1796-1864), posed in the open air in Greyfriars Churchyard and looking off to the left, clasping a book in front of him and with his top hat placed on the ground beside him.
Revd. Dr. Duncan of Ruthwell, founder of Savings Banks. Full-length portrait of the Rev. Dr. Henry Duncan (1774-1846), seated out of doors and looking directly towards the camera.
Finlay of Colonsay. Three-quarter length seated portrait of the deerstalker Finlay, looking off to the left. The sitter wears a tartan tunic and holds a deerstalking telescope in his lap.
Byrne "” The Irish Harper. Full-length portrait, in right profile, of the blind Irish harpist Patrick Byrne, seated playing the harp.
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Lady Eastlake. Three-quarter length seated portrait of Elizabeth Rigby (1809-1893), later Lady Eastlake, her head resting on her left hand and looking downwards.
The House of Death [William Leighton Leitch]. Full-length portrait of William Leighton Leitch (1804-1883), dressed as one of the monks of Kennaquhair from Sir Walter Scott's 'The Abbot', standing in the doorway of a house.
Master James Miller. Full-length portrait of James (Jimmy) Miller, standing in Scottish dress and looking directly towards the camera, a helmet on the chair behind him.
Edinburgh Old and New (oil on panel)
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Half-length seated portrait, in right profile, of the sculptor John Henning (1771-1851)
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Mr. Alexander Bryson, Queen's Horologer. Three-quarter length seated portrait Robert Bryson (1778-1852), looking off to the left and holding an unidentified object (presumably a chronometer of some kind).
Roslin. View of a window in the upper storey of Roslin Chapel, with an unidentified man seated in the left foreground.
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The Dredging Sans, Newhaven. Unidentified group of women carrying washing.
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Full-length standing portrait, striking a declamatory pose, of the artist Thomas Duncan (1807-1845), a stick held in his right hand, his left hand held against his waistcoat.
Asleep among the grass. Master Hope Finlay. Full-length study of the sleeping child John Hope Finlay (1839-1907).
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Newhaven fishermen. Full-length portrait of two Newhaven fishermen, seated on the quayside, with a basket of lines beside them. One sitter is identified as David Young.
The Gowan. 'As if a fly had tickled slumber'. Study of two girls (Margaret and Mary McCandlish), lying in each other's arms in a garden, Mary asleep, with Margaret in the act of tickling her neck with a daisy.
Julieta, a study (Elizabeth Rigby, later Lady Elizabeth Eastlake). Full-length seated portrait, the sitter either sleeping or gazing downwards, wearing a large cross hanging from a necklace.
John Stevens R.S.A. Three-quarter length portrait of the painter John Stevens (c. 1793-1868), standing beside a bust mounted on a plinth.
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Elizabeth Johnston, Newhaven. Full-length portrait of the fisherwoman Elizabeth Johnston, seated looking downwards with a pensive expression, her right arm resting on an arrangement of two wicker fish baskets.
Newhaven Fisherwomen. Group portrait of five women with their creels, the figure on the left reading a letter. Three of the women are identified as Mrs Margaret (Dryburgh) Lyall, Marion Finlay and Mrs Grace (Finlay) Ramsay.
Mr. George Kemp, Architect of the Scott Monument, Edinburgh. Full-length standing portrait of George Meikle Kemp (1795-1844), leaning against a partially carved masonry block.
Rodding the line, Newhaven. Three-quarter length seated portrait of the young fisherman Willie Liston redding (i.e. baiting) fishing line.
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Fisher Laddies, Newhaven. Our Coast-Guards to be. Group of boys posed on the beach in front of the bow of a Newhaven fishing boat.
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David Octavius Hill. Head-and-shoulders left profile portrait of David Octavius Hill (1802-1870)
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Study of a boy. Full-length portrait of a young boy, identified as Master Grierson, son of the Rev. Dr. James Grierson. Standing in right profile against a doorway, a straw hat held in his right hand and a book in his left.
St. Mary's College, St. Andrews. General view, looking west across North Street towards the College Church of St Salvator.
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A Love Reverie, Newhaven. Full-length seated portrait of a fisherwoman, with a wicker basket on the ground beside her. Identified as Jeanie Wilson.
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Newhaven Fisherwomen. Waiting for the Boats. Group of Mrs Logan and two unidentified woman, pose with their wicker baskets.
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John Murray Esq. Half-length seated portrait, in three-quarter profile facing right of the publisher John Murray (1808-1892), looking down at the books on the table in front of him.
James Aytoun. Half-length seated portrait in left profile, seated at a table holding a quill pen.
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Miss Munro and Misses Graham Binney. Three-quarter length portrait study of the three young ladies, their arms clasped round each other and looking off to the right.
Study of children. Half-length portrait of two young girls (the misses Grierson), both wearing tartan dresses of the same pattern. One child is seated, the other stands, with her arms around the seated child.