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Oeuvre de ' David Octavius Hill (1802-70)' trouvé, 112

The Letter, Newhaven. 'Frae Jamie at the Sea'. Tableau group of three women, one seated reading a letter, her mother looking over her shoulder and another young woman standing to the right. Identified as Marion Finlay, Mrs Margaret (Dryburgh) Lyall and Mrs Grace (Finlay) Ramsay.
Newhaven. Saunders, Mucklebackit of Musselcrac. Full-length portrait of the Newhaven fisherman Sandy (or James) Linton, leaning against a Newhaven fishing boat, with three young boys seated beside the boat.
Matrons and Maids, Newhaven. Group portrait of five Newhaven fisherwomen, Mrs Grace Ramsay and four unidentified women.
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St Andrews Fisherfolk. Group of women and children seated in the street baiting lines. [Stevenson (1981), 'St Andrews 35' there titled: 'North Street, Fishergate, women and children baiting the lines'.]
Rev. Jabes [sic, for Jabez] Bunting, D.D. Half-length seated portrait of the Rev. Dr. Jabez Bunting (1779-1858)
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Newhaven fisherwomen. Full-length portrait of the two women, carrying wicker fish baskets on their backs.
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Study "” Circassian Armour or Affghans. Full-length standing portrait of two men, dressed in chain mail. Other copies of this image also supply the alternative titles. The dress bears no resemblance to Afghan costume.
Half-length portrait of Robert Stephen Rintoul (1787-1858), seated at a table reading. Rintoul was, from 1828-58, the first editor of 'The Spectator'.
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Three-quarter length seated portrait of the sculptor Alexander Handyside Ritchie (1804-1870), looking off to the right.
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Thomas Duncan R.S.A. and his brother James. Half-length seated portrait of the two brothers, James looking down and to the left, his hands clasped in front of him, his brother Thomas (1807-1845) looking intently at the camera, his right arm around James's shoulders.
Revd. Dr. John Brown. Three-quarter length seated portrait of the Rev. Dr. John Brown (1784-1858), seated at a table, looking off to the right, with a book held in his right hand.
A study [two sleeping girls]. Portrait of Sophia Finlay, with Harriet Farnie's head in her lap, posed as if asleep.
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Dr. Lane in an Indian dress. Full-length standing portrait of Dr Edward William or John Lane, in Indian dress and holding a jezail.
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John Robertson and Hugh Miller. Three-quarter length portrait of the two writers, seated in profile opposite each other at a small table. John Robertson is posed in the act of writing, Hugh Miller (1802-1856) reading a letter or paper.
My sister Mary, Mrs. Watson. Half-length portrait, looking to the left and holding a book in her right hand, of David Octavius Hill's sister, Mary Watson.
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Mrs. Jamieson. Three-quarter length standing portrait, in half-profile, looking intently off to the left, of the art historian Anna Brownell Jameson (1794-1860).
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Miss Munro. Three-quarter length seated portrait of Justine Monro (later Gallie), looking down and slightly to the right, her left hand raised to her cheek.
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Edinburgh Old and New (oil on panel)
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Dunbarton Presbytery, Free Church. Group of four men seated round a table, examining a paper. Identified as Rev. William Alexander (1808-1890), McMillan of Cardross, Rev. James Smith (or Goodsir) (1806-1852) and Rev. John Pollock (d.1855).
Monument to Sir Walter Scott, Edinburgh. View across Prince's Street towards the Scott Monument, with Edinburgh Castle on the skyline beyond. The monument is here seen completed, although the statue has not yet been placed. A group of four youths stands in the foreground.
The Martyr's Tomb,Grayfriars "” Edinburgh. View of the Martyr's Memorial and the McCulloch Monument, with a couple in conversation in the foreground. She is seated with her back to the camera, he leans over her addressing her.
P. S. Fraser Esq. and Dr. Burt. An intimate and relaxed half-length portrait of the the two men, both reading the same book. John MacDonald Burt (1811-1868) looks over and rests his hand on the left shoulder of Peter Scott Fraser.
Mr. & Mrs. James Stuart Wortley. Full-length study of Georgiana Elizabeth Stuart-Wortley (c. 1804-1884) seated in right profile, holding a book in her lap, her husband John Stuart Wortley (1801-1855) standing on the right, looking down towards her face.
Linlithgow is excelling'. Linlithgow Palace wall. Close view of niches and sculptural detail above the main entrance.
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Newhaven. Dolce far niente. A group of men in top hats gathered around a fishing boat. Sailors. In white trousers and top hats. A fishing community at work.
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John Knox's House, Edingburgh. View looking along the High Street towards the house.
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Full-length portrait of the artist David Roberts (1796-1864), posed in the open air in Greyfriars Churchyard and looking off to the left, clasping a book in front of him and with his top hat placed on the ground beside him.
Byrne "” The Irish Harper. Full-length portrait, in right profile, of the blind Irish harpist Patrick Byrne, seated playing the harp.
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Master James Miller. Full-length portrait of James (Jimmy) Miller, standing in Scottish dress and looking directly towards the camera, a helmet on the chair behind him.
Professor James Miller. Three-quarter length standing portrait, looking downwards, his head resting in his right hand. Professor James Miller (1812-1864), Professor of Surgery at Edinburgh University 1842-64. His left hand grasps the large volume standing on the floor beside him.
Mrs. Rigby. Full-length standing portrait, taken out of doors and looking directly towards the camera, of Elizabeth Rigby (1809-1893), later Lady Eastlake.
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Revd. Dr. Welsh. alf-length seated portrait of the Rev. Dr. David Welsh (1793-1864), taken from a low angle and with the sitter looking off to the right. Welsh was Professor of Church History at Edinburgh University 1831-1843 and at the Free Church College 1844-45.
Revd. Dr. Duncan of Ruthwell, founder of Savings Banks. Full-length portrait of the Rev. Dr. Henry Duncan (1774-1846), seated out of doors and looking directly towards the camera.
Finlay of Colonsay. Three-quarter length seated portrait of the deerstalker Finlay, looking off to the left. The sitter wears a tartan tunic and holds a deerstalking telescope in his lap.
Lady Eastlake. Three-quarter length seated portrait of Elizabeth Rigby (1809-1893), later Lady Eastlake, her head resting on her left hand and looking downwards.
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The House of Death [William Leighton Leitch]. Full-length portrait of William Leighton Leitch (1804-1883), dressed as one of the monks of Kennaquhair from Sir Walter Scott's 'The Abbot', standing in the doorway of a house.
Julieta, a study (Elizabeth Rigby, later Lady Elizabeth Eastlake). Full-length seated portrait, the sitter either sleeping or gazing downwards, wearing a large cross hanging from a necklace.
John Stevens R.S.A. Three-quarter length portrait of the painter John Stevens (c. 1793-1868), standing beside a bust mounted on a plinth.
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Nasmyth's (Naismith's) Tomb, Grayfriars "” Edinburgh. View of the tomb, with two figures examing the monument: these have been identified as David Octavius Hill (1802-18700 seated on the ground pointing to a detail, with Thomas Duncan (1807-1845) standing to the right.
Elizabeth Johnston, Newhaven. Full-length portrait of the fisherwoman Elizabeth Johnston, seated looking downwards with a pensive expression, her right arm resting on an arrangement of two wicker fish baskets.
Newhaven Fisherwomen. Group portrait of five women with their creels, the figure on the left reading a letter. Three of the women are identified as Mrs Margaret (Dryburgh) Lyall, Marion Finlay and Mrs Grace (Finlay) Ramsay.
Mr. Henning as Edie Ochiltree, a study at Bonaly. Half-length portrait of John Henning (1771-1851), asleep in the open air, wearing a sun hat and grasping a staff. He is dressed as Edie Ochiltree, the blue-gown beggar in Sir Walter Scott's 'The Antiquary'.
Edmonstone's Tomb (Dennistoun Monument), Grayfriars, Edinburgh. Group of four figures posed in front of the monument: David Octavius Hill stands on the left, his nieces the Misses Watson are seated on the ledge in front of the monument, and an unknown man stands on the right.
Roslin. View of a window in the upper storey of Roslin Chapel, with an unidentified man seated in the left foreground.
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Newhaven fishermen. Full-length portrait of two Newhaven fishermen, seated on the quayside, with a basket of lines beside them. One sitter is identified as David Young.
Mr. George Kemp, Architect of the Scott Monument, Edinburgh. Full-length standing portrait of George Meikle Kemp (1795-1844), leaning against a partially carved masonry block.
The Gowan. 'As if a fly had tickled slumber'. Study of two girls (Margaret and Mary McCandlish), lying in each other's arms in a garden, Mary asleep, with Margaret in the act of tickling her neck with a daisy.
The Dredging Sans, Newhaven. Unidentified group of women carrying washing.
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Full-length standing portrait, striking a declamatory pose, of the artist Thomas Duncan (1807-1845), a stick held in his right hand, his left hand held against his waistcoat.
Mr. Alexander Bryson, Queen's Horologer. Three-quarter length seated portrait Robert Bryson (1778-1852), looking off to the left and holding an unidentified object (presumably a chronometer of some kind).
Half-length seated portrait, in right profile, of the sculptor John Henning (1771-1851)
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Asleep among the grass. Master Hope Finlay. Full-length study of the sleeping child John Hope Finlay (1839-1907).
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Study of a boy. Full-length portrait of a young boy, identified as Master Grierson, son of the Rev. Dr. James Grierson. Standing in right profile against a doorway, a straw hat held in his right hand and a book in his left.
St. Mary's College, St. Andrews. General view, looking west across North Street towards the College Church of St Salvator.
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A Love Reverie, Newhaven. Full-length seated portrait of a fisherwoman, with a wicker basket on the ground beside her. Identified as Jeanie Wilson.
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Newhaven Fisherwomen. Waiting for the Boats. Group of Mrs Logan and two unidentified woman, pose with their wicker baskets.
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The Lady Ruthven. Full-length standing portrait of Lady Mary Hamilton Ruthven (1789-1855), with back turned to camera.
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Rodding the line, Newhaven. Three-quarter length seated portrait of the young fisherman Willie Liston redding (i.e. baiting) fishing line.
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Fisher Laddies, Newhaven. Our Coast-Guards to be. Group of boys posed on the beach in front of the bow of a Newhaven fishing boat.
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David Octavius Hill. Head-and-shoulders left profile portrait of David Octavius Hill (1802-1870)
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Edinburgh Ale. James Ballantyne, Dr. George Bell and D. O. Hill R.S.A. Portrait group of the the three men at drink, James Ballantyne (1808-1877) and George Bell (d. 1889) seated at a table, with David Octavius Hill (1802-1870) standing behind and to the right.
John Murray Esq. Half-length seated portrait, in three-quarter profile facing right of the publisher John Murray (1808-1892), looking down at the books on the table in front of him.
James Aytoun. Half-length seated portrait in left profile, seated at a table holding a quill pen.
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Miss Munro and Misses Graham Binney. Three-quarter length portrait study of the three young ladies, their arms clasped round each other and looking off to the right.
Study of children. Half-length portrait of two young girls (the misses Grierson), both wearing tartan dresses of the same pattern. One child is seated, the other stands, with her arms around the seated child.