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Wilhelmshaven, fleet parade, many warships
Laya Etemadi - playing the Kamantche (bowed lute) in the theatre de la ville, Paris, November 2007. Persian/ Iranian musician.
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MUSICIENNE PERSANNE - IRANIENNE - KAMANTCHE (VIELE A PIQUE) - PARIS - THEATRE DE LA VILLE - 11 2007
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AMERICAN VIELE MAKES BACKHAND RETURN TO COMPATRIOT CHI AT PRINCESS CUP TENNIS IN TOKYO, 1999-09-22 (photo)
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The wedding of Paul Deschanel (colour litho)
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AMERICAN TEEN SENSATION MONIQUE VIELE WAVES AT PRINCESS CUP TENNIS IN TOKYO, 1999-09-22 (photo)
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AMERICAN CHI MAKES A RETURN TO DEFEAT VIELE AT PRINCESS CUP TENNIS IN TOKYO, 1999-09-22 (photo)
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AMERICAN TEEN SENSATION VIELE CONCENTRATES ON RETURN TO COMPATRIOT CHI AT PRINCESS CUP TENNIS IN TOKYO, 1999-09-22 (photo)
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Rundshorn forest, Berkhof, north of Hanover, Germany (photo)
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14-year-old American Monique Viele makes a double-handed backhand return [to compatriot Jane Chi] as.., 1999-09-22 (photo)
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Crowd Shibuya Crossing Tokyo Japan Asia Copyright ImageRoker PetrxSVARC iblpsi0440521
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Rundshorn forest, Berkhof, north of Hanover, Germany (photo)
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Pigeon, Gurr Pigeon, Capturtle Pigeon, Cape Turtle Pigeon, Cape Turtle Pigeon, Cape Laughter Pigeon, Damara Pigeon, Damara Pigeon, Streptopelia capicola, Ring-necked Dove, Cape Turtle Dove, Half-Collared Dove
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Reading, 1903 (oil on canvas)
Josaine disguised  as a minstrel
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Intershop 2000 Intershop 2000, DDR - Gebrauchsdesign (Verkaufs - & Tauschausstellung …, 1998 (photo)
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WAHLPLAKATSTAENDER WERDEN IN SALZBURG WEGGERAEUMT, 2002-11-24 (photo)
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LEERES VIENNABIKE TERMINAL IN WIEN, 2002-05-12 (photo)
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Matkot in Israel
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Matkot in Israel
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Shoes hidden in cellar: anti-semitic article, 1941
Matkot in Israel
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Baron Münchhausen entertaining friends
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Noch einmal betrachten wir abschiednehmend die hochragende Zitadelle von Kairo, lassen Ÿber die anmutigen Formen der Moschee Mohammed Alis unseren Blick schweifen, aber in unseren Herzen lebt eindringlicher das, was wir an kŸnstlerischen Offenbarungen wŠhrend unserer Reise durch das Wunderland am Nil in uns aufnehmen konnten. Die Kunst der €gypter ist alt und doch noch jung, so jung, dass selbst unsere moderne Kunst davon beeinflusst wurde. Unser Kunstgewerbe hat sogar bei der €gyptischen Ornamentik direkte Anleihen gemacht. €gypten in seiner nŸchternen Strenge ist uns und unserer Zeit viel verwandter geworden als das formenschšne Griechenland. Es ist interessant zu beobachten, unter wie verschiedenen Daseinsbedingungen so Šhnliche Formen der Anschauung und kŸnstlerischen Darstellung entstehen. Mit der Kunst wird das ganze Leben dieses alten Volkes uns wieder lebendig, seine Religion und seine Fragen an das Jenseits. Und damit taucht auch wieder das alte RŠtsel auf, das schon viele verschiedene Lšsungen fand, das RŠtsel der Bedeutung der Sphinx, deren Bild wohl auf Sie alle einen starken Eindruck gemacht hat. Sie hat ihre riesengrossen Augen geradeaus gerichtet, unbarmherzige, wissende Augen, die ohne zu antworten Ÿber den Fragenden hinwegstarrten in Leere oder in eine fremde, unsichtbare, ganz unbekannte Welt. Ein Wesen, das der Mensch schuf, der zitternd seine gršsste Frage stellte und in dieser Gestalt sein Bild des erbarmungslosen, Ÿberweltlichen, unnahbaren Geheimnisses aus dem Granit der WŸstenfelsen schlug.

Mšge deshalb dieser Vortrag Ihnen etwas mehr gewesen sein als eine mŸssige Stunde, mšge er in unserer Zeit der Verflachung anregen, uns den grossen Menschheitsfragen von Leben und Sterben, Gott und Fortleben nach dem Tode zuzuwenden. Egypt, Citadel of Cairo, Archive, Carl Simon, history, historical, Africa, Middle East
Erhu / Chinese fiddle
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Lloyd's Military Campaign Charts, showing the principal places of interest, 1861 (coloured engraving)
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Street Tango (pastel on paper)
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All Summer in a Day (oil on canvas)
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High Days and Holidays (painting)
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One man too many
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One man too many
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The Building of Versailles, c.1680 (oil on canvas)
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We the Peoples... 1984 (acrylic on board)
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A hero like so many others
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One man too many
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One man too many
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Be Kind, 2020 (digital)
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Windy Day (mixed media)
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Detroit Industry, North Wall, 1932-33 (fresco)
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