La tua selezione
Cancella la selezioneAffidati ai nostri Account Manager.
Articolo aggiunto al carrello
Trova la corrispondenza perfetta I primi risultati sono corrispondenze esatte, mentre gli altri sono immagini visivamente simili selezionate dal nostro archivio.
Trascina un file qui
Carica
Elaborazione dei risultati della ricerca
Waiting for update..
Si è verificato un errore:
Scopri i nostri suggerimenti per la Ricerca IA
Searching for a particular field
| Field | Search term | Example |
| Asset title | title: | title:pony |
| Asset title and keywords | ~ | ~pony |
| Asset description text | description: | description:london |
| Agency prefix | prfx: or $ | prfx:lal or $LAL |
| Asset id | imageid: or # | imageid:250297 or imageid:[2500 TO 4000] or #1551 |
| Agency name | coll: | coll:history |
| Medium | medium: | medium:oil |
| Century | century: | century:20th |
| Keywords | kw: | kw:dog |
| Artist name | artist: or ? | artist:monet or ?monet |
| Artist nationality | nat: | nat:French |
| Creator ID | creatorid: | creatorid:37 |
| Location | loc: or @ | loc:exeter or @exeter |
| Classification | class: | class:57 or #57. Use # for unclassified assets |
| Year | year: | year:1850 or year:[1700 TO 1800] |
Jason Line’s paintings predominately feature still lifes – collections of objects arranged on shelves and window sills; wooden chairs placed just so. These objects are not randomly positioned but carefully, even meticulously arranged, the spaces between them just as important as the pieces themselves. The dialogue between each shape, the silent conversations they share, is of utmost importance.
‘The chair with its back, seat, arms, legs and feet resembles possibly the nearest inanimate object to a human being and can exude a powerful presence in the right light as well providing a wealth o Jason Line’s paintings predominately feature still lifes – collections of objects arranged on shelves and window sills; wooden chairs placed just so. These objects are not randomly positioned but carefully, even meticulously arranged, the spaces between them just as important as the pieces themselves. The dialogue between each shape, the silent conversations they share, is of utmost importance.
‘The chair with its back, seat, arms, legs and feet resembles possibly the nearest inanimate object to a human being and can exude a powerful presence in the right light as well providing a wealth of pictorial possibilities.’
Furniture – chairs and tables, are placed by the artist like props for a play. They are set at precise angles, in conference with each other, working in pairs, and passing secrets between them. They are the inanimate characters in these paintings, following an unseen script. What’s not said is almost as important as what’s said in this work. It is the gaps between objects, in spaces, that matter here. Empty chairs and empty rooms are left blank for our own interpretation. ...
Collaboriamo con i principali musei, artisti e gallerie del mondo per darti accesso a immagini di altissima qualità.
Il nostro team ti può aiutare a trovare l'immagine perfetta per il tuo progetto, occupandosi di tutte le necessità di copyright e licenza.
Bridgeman Images
Largo Augusto, 8
20122 Milano
Italia
© Copyright 2026 Bridgeman Art Library Limited. Registrata in Inghilterra e Galles con numero di società 01056394