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Royal Collection

Panoramica della collezione

The Royal Collection spans over 500 years of history. Personally shaped by the nation's kings and queens, the Collection is home to stunning paintings, watercolours, glassware, illustrations, drawings and decorative arts. As well as featuring fine examples of royal portraiture, records of major regal events and the work of the old masters, the collection houses, amongst many other treasures, a range of drawings and texts by Leonardo di Vinci and the Triumphs of Ceasar series by Andrea Mantegna.


Self portrait as the allegory of Painting (La Pittura), 1638-39 (oil on canvas)
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Charles II, c.1661-66 (oil on canvas)
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A lady at the virginals with a gentleman ('The Music Lesson'), c.1662-65 (oil on canvas)
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Studies of the foetus in the womb, c.1510-13 (pen & ink with wash over red and black chalks on paper)
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A study of a woman's hands, c.1490 (metalpoint, heightening and charcoal on paper)
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The Family of King Henry VIII, c.1545 (oil on canvas)
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The principal organs and vessels of a woman, c.1510 (pen & ink with chalk & wash on paper)
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Studies of flowing water, with notes, c.1510-13 (pen & ink of black chalk on paper)
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Cats, lions and a dragon, c.1513-16 (pen & ink with wash over blue chalk)
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Star of Bethlehem, wood anemone and sun spurge, c.1505-10 (pen & ink with red chalk on paper)
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Elizabeth I when Princess, at the age of about 13, c.1546 (oil on panel)
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The muscles of the shoulder, c.1510 (pen & ink with wash over black chalk on paper)
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The Building of Versailles, c.1680 (oil on canvas)
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The Tribuna of the Uffizi, 1772-77 (oil on canvas)
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Charles I in three positions, 1635 (oil on canvas)
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A portrait of Leonardo in profile, c.1515 (red chalk)
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The Field of the Cloth of Gold, c.1545 (oil on canvas)
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Studies of the coronary vessels and valves of the heart, c.1511-13 (pen & ink on blue paper)
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A plan of Imola, 1502 (pen & ink, wash and chalk on paper)
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The Academicians of the Royal Academy, 1772 (oil on canvas)
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Edward VI, c.1546 (oil on panel)
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A rearing horse, c.1503-04 (pen & ink and chalk on paper)
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Studies for the head of Leda, c.1505-06 (pen & ink and chalk on paper)
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The Royal Family in 1846 (oil on canvas)
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View of the Great Chartist Meeting on Kennington Common, 1848 (daguerreotype)
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A seated man, and studies and notes on the movement of water, c.1510 (pen & ink on paper)
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A skull sectioned, 1489 (pen & ink over black chalk on paper) (recto of 3740758)
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Windsor Castle in modern times: Queen Victoria, Prince Albert and Victoria, Princess Royal, 1840-43 (oil on canvas)
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A Deluge, c.1517-18 (pen & ink with wash on paper)
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A comparison of the legs of a man and of a horse, c.1506-10 (pen & ink with red chalk on paper)
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The layers of the scalp compared to an onion and other studies, c.1490-93 (pen & ink and chalk on paper)
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Queen Victoria, 1859 (oil on canvas)
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A Cranium Sectioned, 1489 (pen & ink over black chalk on paper)
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The head of Leda, c.1505 (pen and ink over black chalk on paper)
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Four Grotesque Heads, including a caricature of Dante, c.1517-20 (chalk on paper)
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The muscles of the shoulder, arm and leg, c.1510 (pen & ink with wash over black chalk on paper)
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A woman in a landscape, c.1517 (black chalk on paper)
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A Scheme for a canal to bypass the Arno, c.1503 (brush & ink over black chalk on paper)
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An incident in the rebellion of 1745, c.1745-50 (oil on canvas)
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George III, Queen Charlotte and their six eldest children, 1770 (oil on canvas)
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Andrea Odoni, 1527 (oil on canvas)
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A man tricked by gypsies, c.1493 (pen & ink on paper)
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Clemens Lothar Wenzel, Prince Metternich, 1815 (oil on canvas)
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Heads of horses, a lion and a man, c.1504 (pen & ink with wash and chalk on paper)
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Manchester from Kersal Moor, 1852 (w/c with bodycolour and gum arabic on paper)
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Queen Victoria, 1847 (oil on canvas)
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The head of Judas in the Last Supper, c.1495 (red chalk on pale red prepared paper)
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The Bones and Muscle of the arm, c.1510 (pen & ink with wash over black chalk on paper)
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The Marriage of Queen Victoria, 10th February 1840, 1840-42 (oil on canvas)
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Studies of the foetus in the womb, and the external genitalia, c.1510-13 (pen & ink with wash over black and red chalk on paper)
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Charles II dancing at a ball at court, 1660 (oil on canvas)
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A lily (lilium candidium), c.1475 (pen & ink, wash. chalk and white heightening on paper)
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The five eldest children of Charles I, 1637 (oil on canvas)
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Edward I in Parliament, illustration from 'The Wriothesley Garter Book' (vellum)
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A tempest, c.1517-18 (pen & ink, chalk, wash and heightening on paper)
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A skull sectioned, 1489 (pen & ink over black chalk on paper)
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Head of St. James in the Last Supper and architectural sketches, c.1495 (red chalk, pen & ink on paper)
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Map of the Valdichiana, c.1503-04 (pen & ink, w/c, bodycolour and chalk on paper)
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The superficial anatomy of the shoulder and neck, c.1510 (pen & ink with wash over black chalk on paper)
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Verso: The hemisection of a man and woman in the act of coition, c.1490-92 (pen & ink on paper)
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The Embarkation of William III, Prince of Orange, at Helvoetsluis, 1688-99 (oil on canvas)
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The muscles of the shoulder and arm, c.1510 (pen & ink with wash over black chalk on paper)
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The bones, muscles and tendons of the hand, c.1510 (pen & ink with wash over black chalk on paper)
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The muscles of the shoulder and arm, and the bones of the foot, c.1510 (pen & ink with wash over black chalk on paper)
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A bird's-eye view of western Tuscany, c.1503-34 (pen & ink with wash and gouache over chalk on paper)
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A horse in profile, and from the front (metalpoint on paper)
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The anatomy of the neck, c.1512-13 (pen & ink on blue paper)
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Queen Victoria, 1843 (oil on canvas)
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A design for a costume of an imaginary beast, c.1517-18 (black chalk with pen & ink on paper)
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Charles-Alexandre de Calonne, 1784 (oil on canvas)
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A male anatomical figure showing the viscera and principal vessels, c.1490 (pen & ink with wash over black chalk on paper)
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Neptune, c.1504-05 (chalk on paper)
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A scene in an arsenal, c.1485-90 (pen & ink over black chalk on paper)
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Queen Anne in the House of Lords, c.1708-14 (oil on canvas)
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Louis XII, King of France, c.1490 (oil on panel)
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The vertebral column, c.1510 (pen & ink with wash, over traces of black chalk on paper)
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Leda and the swan, c.1507 (pen & ink over black chalk on paper)
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The muscles and veins of the arm and torso, c.1510 (pen & ink with wash over black chalk on paper)
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Verso: The muscles of the shoulder and arm, and the bones of the foot c.1510-11 (pen & ink with wash, over black chalk on paper) (verso of 3899939)
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Two grotesque profiles confronted, c.1485-90 (pen & ink and wash on paper)
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A Deluge, c.1517-18 (black chalk on paper)
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The bust of a grotesque old woman, c.1510-20 (chalk on paper)
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A Deluge, c.1517 (black chalk on paper)
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Edward IV, c.1470-1500 (oil on panel)
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Head of St. Anne, c.1510-15 (chalk on paper)
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Recto: The fetus in the womb, c.1511 (red chalk and traces of black chalk, pen and ink, wash on paper)
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Studies of geometry, clouds, plants, engineering, c.1490 (pen & ink on paper)
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Queen Victoria receiving the Sacrament at her Coronation, 28th June 1838 (oil on canvas)
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The Triumphs of Caesar, IX: Julius Caesar on his Triumphal Chariot, c.1484-92 (tempera on canvas)
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A study for an equestrian monument, c.1485-90 (metalpoint on blue paper)
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