La tua selezione
Cancella la selezioneAffidati ai nostri Account Manager.
Articolo aggiunto al carrello
Trova la corrispondenza perfetta I primi risultati sono corrispondenze esatte, mentre gli altri sono immagini visivamente simili selezionate dal nostro archivio.
Trascina un file qui
Carica
Elaborazione dei risultati della ricerca
Waiting for update..
Si è verificato un errore:
Scopri i nostri suggerimenti per la Ricerca IA
Searching for a particular field
| Field | Search term | Example |
| Asset title | title: | title:pony |
| Asset title and keywords | ~ | ~pony |
| Asset description text | description: | description:london |
| Agency prefix | prfx: or $ | prfx:lal or $LAL |
| Asset id | imageid: or # | imageid:250297 or imageid:[2500 TO 4000] or #1551 |
| Agency name | coll: | coll:history |
| Medium | medium: | medium:oil |
| Century | century: | century:20th |
| Keywords | kw: | kw:dog |
| Artist name | artist: or ? | artist:monet or ?monet |
| Artist nationality | nat: | nat:French |
| Creator ID | creatorid: | creatorid:37 |
| Location | loc: or @ | loc:exeter or @exeter |
| Classification | class: | class:57 or #57. Use # for unclassified assets |
| Year | year: | year:1850 or year:[1700 TO 1800] |
Brian Sayers was born in Bromley, a suburb of London, and was educated at the Slade School of Art between 1974 and 1978. Although an accomplished portraitist and sometime landscape painter, Sayers is best known for his dense and haunting still life paintings. Sayers often arranges objects in a grid-like pattern on a tabletop, yet the objects appear to have no direct relationship with their neighbours and there is no common use which bonds the objects together. The viewpoint is raised with a raking aerial perspective. This gives the viewer the impression of hovering over the subject. The arrang Brian Sayers was born in Bromley, a suburb of London, and was educated at the Slade School of Art between 1974 and 1978. Although an accomplished portraitist and sometime landscape painter, Sayers is best known for his dense and haunting still life paintings. Sayers often arranges objects in a grid-like pattern on a tabletop, yet the objects appear to have no direct relationship with their neighbours and there is no common use which bonds the objects together. The viewpoint is raised with a raking aerial perspective. This gives the viewer the impression of hovering over the subject. The arrangement of objects recalls a cityscape with the gaps between the objects taking on the appearance of avenues separating deserted buildings. The vessels give the impression of being relics and lend an archaeological air to the compositions. Jeffrey Dennis (in an essay written about the artist in 2007) drew a parallel between the large still life compositions and a table-top model of Pompeii in the Archaeological Museum of Naples which details the remains of the city in miniature. Like earlier painters of the still life such as Zurbaran, Cotán and Morandi, Sayers achieves his uncanny effects though nuance and restraint, and through a meticulous attention to the harmonies and tensions of form. ...
Collaboriamo con i principali musei, artisti e gallerie del mondo per darti accesso a immagini di altissima qualità.
Il nostro team ti può aiutare a trovare l'immagine perfetta per il tuo progetto, occupandosi di tutte le necessità di copyright e licenza.
Bridgeman Images
Largo Augusto, 8
20122 Milano
Italia
© Copyright 2026 Bridgeman Art Library Limited. Registrata in Inghilterra e Galles con numero di società 01056394