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James Richard Barfoot (1794-1863)

[2, 无限] 来自' James Richard Barfoot (1794-1863)'的艺术作品找到，24

Spinning, Progress of Cotton No. 6, pub. 1840 (colour litho)

Spinning, Progress of Cotton No. 6, pub. 1840 (colour litho)

Barfoot, James Richard (1794-1863)

STC2959512

Reeding or Drawing in, Progress of Cotton No. 9, pub. 1840 (colour litho)

Reeding or Drawing in, Progress of Cotton No. 9, pub. 1840 (colour litho)

Barfoot, James Richard (1794-1863)

STC2959480

Weaving, Progress of Cotton No. 10, pub. 1840 (colour litho)

Weaving, Progress of Cotton No. 10, pub. 1840 (colour litho)

Barfoot, James Richard (1794-1863)

STC2959482

British 1840s depiction the 'Progress of Cotton', by Richard Barfoot, 6 of 12. Spinning machines are attended by two women and a man as they create spun thread from cotton roving. A small girl works within the frame of the machine. The multi-spindle spinning frame, was one of the key developments in the industrialization of weaving. The technique was invented in 1764 by James Hargreaves, in Lancashire in England (lithograph)

British 1840s depiction the 'Progress of Cotton', by Richard Barfoot, 6 of 12. Spinning machines are attended by two women and a man as they create spun thread from cotton roving. A small girl works within the frame of the machine. The multi-spindle spinning frame, was one of the key developments in the industrialization of weaving. The technique was invented in 1764 by James Hargreaves, in Lancashire in England (lithograph)

Barfoot, James Richard (1794-1863)

EVB7068577

Cotton Plantation, Progress of Cotton No. 1, pub. 1840 (colour litho)

Cotton Plantation, Progress of Cotton No. 1, pub. 1840 (colour litho)

Barfoot, James Richard (1794-1863)

STC2959477

Warping and WInding, Progress of Cotton No. 8, pub. 1840 (colour litho)

Warping and WInding, Progress of Cotton No. 8, pub. 1840 (colour litho)

Barfoot, James Richard (1794-1863)

STC2959508

Willowing, Progress of Cotton No. 2, pub. 1840 (colour litho)

Willowing, Progress of Cotton No. 2, pub. 1840 (colour litho)

Barfoot, James Richard (1794-1863)

STC2959510

Dying, Progress of Cotton No. 11, pub. 1840 (colour litho)

Dying, Progress of Cotton No. 11, pub. 1840 (colour litho)

Barfoot, James Richard (1794-1863)

STC2959509

Bobbin and Drawing Frames, Progress of Cotton No. 5, pub. 1840 (colour litho)

Bobbin and Drawing Frames, Progress of Cotton No. 5, pub. 1840 (colour litho)

Barfoot, James Richard (1794-1863)

STC2959481

British 1840s depiction the 'Progress of Cotton', by Richard Barfoot, 8 of 12. Warping & winding. Four women work at a 'Beam' full of yarn for the warp, the lengthwise spun threads attached to a loom before weaving begins (lithograph)

British 1840s depiction the 'Progress of Cotton', by Richard Barfoot, 8 of 12. Warping & winding. Four women work at a 'Beam' full of yarn for the warp, the lengthwise spun threads attached to a loom before weaving begins (lithograph)

Barfoot, James Richard (1794-1863)

EVB7068547

British 1840s depiction the 'Progress of Cotton', by Richard Barfoot, 5 of 12. After the cotton is carded, it is processed in the Bobbin and Drawing-Frames. At far left, long rolls of carded cotton are drawn between sets of metal rollers, then drawn together, and loaded into the tall metal can. The Bobbin-Frame, (third machine from left) receives the Cotton in the metal can after drawing; here it passes between rollers similar to the first set in the Drawing-Frame, as set of Spindles, twists the Cotton, turning it into a soft string, which wraps around large Bobbins about nine inches long. The Jack-Frame, (second from left) in the picture, then carries on the process by working the slightly twisted string finer and tighter, and running it on Bobbins of smaller size (lithograph)

British 1840s depiction the 'Progress of Cotton', by Richard Barfoot, 5 of 12. After the cotton is carded, it is processed in the Bobbin and Drawing-Frames. At far left, long rolls of carded cotton are drawn between sets of metal rollers, then drawn together, and loaded into the tall metal can. The Bobbin-Frame, (third machine from left) receives the Cotton in the metal can after drawing; here it passes between rollers similar to the first set in the Drawing-Frame, as set of Spindles, twists the Cotton, turning it into a soft string, which wraps around large Bobbins about nine inches long. The Jack-Frame, (second from left) in the picture, then carries on the process by working the slightly twisted string finer and tighter, and running it on Bobbins of smaller size (lithograph)

Barfoot, James Richard (1794-1863)

EVB7068548

British 1840s depiction the 'Progress of Cotton', by Richard Barfoot, 1 of 12. Enslaved African Americans of all ages, harvest the cotton. After ginning, some was sent to North American textiles mills, but more would be exported, mostly to Great Britain (lithograph)

British 1840s depiction the 'Progress of Cotton', by Richard Barfoot, 1 of 12. Enslaved African Americans of all ages, harvest the cotton. After ginning, some was sent to North American textiles mills, but more would be exported, mostly to Great Britain (lithograph)

Barfoot, James Richard (1794-1863)

EVB7068551

British 1840s depiction of the 'Progress of Cotton', by Richard Barfoot, 12 of 12. The long length of woven fabric, dyed with green stripes, is printed with a red floral motif (lithograph)

British 1840s depiction of the 'Progress of Cotton', by Richard Barfoot, 12 of 12. The long length of woven fabric, dyed with green stripes, is printed with a red floral motif (lithograph)

Barfoot, James Richard (1794-1863)

EVB7068552

British 1840s depiction the 'Progress of Cotton', by Richard Barfoot, 2 of 12. Willowing was the process of opening and loosening the fibers of ginned cotton (lithograph)

British 1840s depiction the 'Progress of Cotton', by Richard Barfoot, 2 of 12. Willowing was the process of opening and loosening the fibers of ginned cotton (lithograph)

Barfoot, James Richard (1794-1863)

EVB7068558

Printing, Progress of Cotton No. 12, pub. 1840 (colour litho)

Printing, Progress of Cotton No. 12, pub. 1840 (colour litho)

Barfoot, James Richard (1794-1863)

STC2959513

Bleaching, Progress of Cotton No. 7, pub. 1840 (colour litho)

Bleaching, Progress of Cotton No. 7, pub. 1840 (colour litho)

Barfoot, James Richard (1794-1863)

STC2959514

British 1840s depiction the 'Progress of Cotton', by Richard Barfoot, 11 of 12. The long length of woven fabric is dyed in mechanized vats (lithograph)

British 1840s depiction the 'Progress of Cotton', by Richard Barfoot, 11 of 12. The long length of woven fabric is dyed in mechanized vats (lithograph)

Barfoot, James Richard (1794-1863)

EVB7068559

Lap Frame, Progress of Cotton No. 3, pub. 1840 (colour litho)

Lap Frame, Progress of Cotton No. 3, pub. 1840 (colour litho)

Barfoot, James Richard (1794-1863)

STC2959511

British 1840s depiction the 'Progress of Cotton', by Richard Barfoot, 9 of 12. Reeding or drawing in. Women pull the spun thread wrapped on a 'Beam of Warp Yarn' through the vertical spaces in the 'Reed'. The reed is part of a weaving loom, and resembles a comb, and separates and spaces the warp threads, which guide the shuttle's motion across the loom. It also pushes the weft threads into place (lithograph)

British 1840s depiction the 'Progress of Cotton', by Richard Barfoot, 9 of 12. Reeding or drawing in. Women pull the spun thread wrapped on a 'Beam of Warp Yarn' through the vertical spaces in the 'Reed'. The reed is part of a weaving loom, and resembles a comb, and separates and spaces the warp threads, which guide the shuttle's motion across the loom. It also pushes the weft threads into place (lithograph)

Barfoot, James Richard (1794-1863)

EVB7068556

British 1840s depiction the 'Progress of Cotton', by Richard Barfoot, 7 of 12. Before bleaching, the cotton fabric is passed over a red-hot Iron Plate, which burns off the ends of the fibers or nap, making the surface even for Printing. It goes through other processes, before it is put into a stone cistern filled with chloride of lime and water, which is called 'Bleaching Liquor'. More processes follow, before it is dried in a hot stove (lithograph)

British 1840s depiction the 'Progress of Cotton', by Richard Barfoot, 7 of 12. Before bleaching, the cotton fabric is passed over a red-hot Iron Plate, which burns off the ends of the fibers or nap, making the surface even for Printing. It goes through other processes, before it is put into a stone cistern filled with chloride of lime and water, which is called 'Bleaching Liquor'. More processes follow, before it is dried in a hot stove (lithograph)

Barfoot, James Richard (1794-1863)

EVB7068590

Carding, Progress of Cotton No. 4, pub. 1840 (colour litho)

Carding, Progress of Cotton No. 4, pub. 1840 (colour litho)

Barfoot, James Richard (1794-1863)

STC2959478

British 1840s depiction the 'Progress of Cotton', by Richard Barfoot, 3 of 12. Lap-frame was used in the lapping process of removing the dust to create a flat sheet, or lap of cotton (lithograph)

British 1840s depiction the 'Progress of Cotton', by Richard Barfoot, 3 of 12. Lap-frame was used in the lapping process of removing the dust to create a flat sheet, or lap of cotton (lithograph)

Barfoot, James Richard (1794-1863)

EVB7068564

British 1840s depiction the 'Progress of Cotton', by Richard Barfoot, 10 of 12. The previous steps culminate in the machine 'Weaving' of the fabric. After the shuttle is passed thousands of time through the warp thread, the long woven fabric wraps around a large spool at the front of the loom (lithograph)

British 1840s depiction the 'Progress of Cotton', by Richard Barfoot, 10 of 12. The previous steps culminate in the machine 'Weaving' of the fabric. After the shuttle is passed thousands of time through the warp thread, the long woven fabric wraps around a large spool at the front of the loom (lithograph)

Barfoot, James Richard (1794-1863)

EVB7068576

British 1840s depiction the 'Progress of Cotton', by Richard Barfoot, 4 of 12. Carding disentangles, cleans, and intermixes fibers to produce a continuous web or sliver (lithograph)

British 1840s depiction the 'Progress of Cotton', by Richard Barfoot, 4 of 12. Carding disentangles, cleans, and intermixes fibers to produce a continuous web or sliver (lithograph)

Barfoot, James Richard (1794-1863)

EVB7068543

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