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| 领域 | 搜索词 | 示例 |
| 资产标题 | 标题: | 标题:小马 |
| 资产标题与关键词 | ~ | ~小马 |
| 资产描述文本 | 描述: | 描述:伦敦 |
| 机构前缀 | 前缀:或 $ | 前缀:LAL 或 $LAL |
| 资产ID | imageid: 或 # | imageid:250297 或 imageid:[2500 至 4000] 或 #1551 |
| 机构名称 | coll: | coll:历史 |
| 中型 | 媒介: | 媒介:油 |
| 世纪 | 世纪: | 世纪:20世纪 |
| 关键词 | 千瓦: | kw:狗 |
| 艺术家名称 | 艺术家:还是? | 艺术家:莫奈或莫奈? |
| 艺术家国籍 | 夜: | nat:法语 |
| 创作者ID | creatorid: | creatorid:37 |
| 位置 | 地点:or @ | 地点:埃克塞特或@埃克塞特 |
| 分类 | 类: | 类别:57 或 #57。未分类资产请使用 # 标记 |
| 年 | 年: | 年份:1850 或 年份:[1700 至 1800] |
As David Thompson (formerly Art Critic of The Times) states: “Glyn Morgan at work presents the very model of the methodical craftsman – the workplace clean and orderly, primed canvasses at the ready, tools and paints to his right, sketchbook pages with other reference material to his left. From the craftsman side of him flow his superb botanical illustrations and the close-textured surface beauty of all his work. But what’s going on in imaginative terms is something teeming, convoluted, unpredictable, exuberant and wild. His mystical landscapes are drawn from Suffolk and Lllanthony Valley, As David Thompson (formerly Art Critic of The Times) states: “Glyn Morgan at work presents the very model of the methodical craftsman – the workplace clean and orderly, primed canvasses at the ready, tools and paints to his right, sketchbook pages with other reference material to his left. From the craftsman side of him flow his superb botanical illustrations and the close-textured surface beauty of all his work. But what’s going on in imaginative terms is something teeming, convoluted, unpredictable, exuberant and wild. His mystical landscapes are drawn from Suffolk and Lllanthony Valley, the Mediterranean at high noon and from the Celtic twilight.” ...
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