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| Field | Search term | Example |
| Asset title | title: | title:pony |
| Asset title and keywords | ~ | ~pony |
| Asset description text | description: | description:london |
| Agency prefix | prfx: or $ | prfx:lal or $LAL |
| Asset id | imageid: or # | imageid:250297 or imageid:[2500 TO 4000] or #1551 |
| Agency name | coll: | coll:history |
| Medium | medium: | medium:oil |
| Century | century: | century:20th |
| Keywords | kw: | kw:dog |
| Artist name | artist: or ? | artist:monet or ?monet |
| Artist nationality | nat: | nat:French |
| Creator ID | creatorid: | creatorid:37 |
| Location | loc: or @ | loc:exeter or @exeter |
| Classification | class: | class:57 or #57. Use # for unclassified assets |
| Year | year: | year:1850 or year:[1700 TO 1800] |
As David Thompson (formerly Art Critic of The Times) states: “Glyn Morgan at work presents the very model of the methodical craftsman – the workplace clean and orderly, primed canvasses at the ready, tools and paints to his right, sketchbook pages with other reference material to his left. From the craftsman side of him flow his superb botanical illustrations and the close-textured surface beauty of all his work. But what’s going on in imaginative terms is something teeming, convoluted, unpredictable, exuberant and wild. His mystical landscapes are drawn from Suffolk and Lllanthony Valley, As David Thompson (formerly Art Critic of The Times) states: “Glyn Morgan at work presents the very model of the methodical craftsman – the workplace clean and orderly, primed canvasses at the ready, tools and paints to his right, sketchbook pages with other reference material to his left. From the craftsman side of him flow his superb botanical illustrations and the close-textured surface beauty of all his work. But what’s going on in imaginative terms is something teeming, convoluted, unpredictable, exuberant and wild. His mystical landscapes are drawn from Suffolk and Lllanthony Valley, the Mediterranean at high noon and from the Celtic twilight.” ...
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