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Volume IV. Loose papers of mathematical calculations, and annotations, by Thomas Harriott, Add MS 6785, f.436 (parchment)
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Volume IV. Loose papers of mathematical calculations, and annotations, by Thomas Harriott, Add MS 6785, f.30 (parchment)
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Music score for 'Sweet the Merry Bells Ring Round' John Clare & F.W. Crouch, c.1820 (print)
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Studies of two sedges, c.1510-15 (pen & ink on paper)
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Verdi's handwritten annotations on a copy of the 'Macbeth' libretto
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Recto: The bones of the foot, and the shoulder, c.1510-11 (pen & ink with wash, over traces of black chalk on paper)
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Add. 9046, f.71r, Psalter in Tironian shorthand, in Latin (parchment)
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Music score for 'Sweet the Merry Bells Ring Round' John Clare & F.W. Crouch, c.1820 (print)
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First page of Handel’s manuscript score of ‘Eternal Source of Light Divine’, 1713 (pen & ink on paper)
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The hands of St John in the Last Supper, c.1495 (chalk on paper)
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Music score for 'Sweet the Merry Bells Ring Round' John Clare & F.W. Crouch, page 1, c.1820 (print)
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Titlepage of 'Les Illusions Perdues' with annotations by the author, c.1830-40 (pen & ink on paper)
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erso: The muscles of the face and arm, and the nerves and veins of the hand, c.1510-11 (black chalk, pen & ink and wash on paper)
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Recto: Studies of emblems, geometrical diagrams, and notes, c.1508-10 (pen & ink on paper)
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Short score of Britten’s War Requiem (pencil on paper)
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Dennis the Roadie (pencil on paper)
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R.M.20.f.2 f.37r, Messiah autograph score, showing ‘pifa’ or pastoral symphony, 1741 (pen & ink on paper)
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f.44v, Handel's Semele autograph score
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Notes I, 2020 (mixed media)
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premium
MS Add. 24198, fol. 132r, Missal, according to the use of the Augustinian Canons Regular, with special insertions for the church of St. Thomas the Martyr, Dublin (vellum)
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Verso: Studies of the fetus, related internal organs, and the arm, c.1511 (pen & ink on paper)
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Recto: The bones of the foot, c.1510-11 (black chalk, pen and ink, wash on paper)
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Sloane MS 3846 f.102v Magical notes by Ashmole wax impression of ring inscribed with magical formulae made by Simon Forman in 1598, from 'Magic: Tractatus et experiment magica', 1598 (ink & wax on paper)
Notes for Oedipus c.1975 (ripolin on board)
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Harley 978 f.14, Solmisation table explaining the Gamut, with an untexted melisma demonstrating the extent of the Gamut, from 'Musical miscellany' (parchment)
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Message to the Public, Add.51035, f.42v, from Captain Scott's Diaries, Vol III, 1912 (pencil on paper)
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Recto: The torso and leg of a nude man in profile, and a study of machinery, c.1488-90 (pen & ink over traces of black chalk on paper) (recto of 5674284)
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MS 57555, f.23v, Map of North Africa, from a notebook comprising an historical gazetteer, library-lists, etc.; c.1606-08 (w/c on paper)
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Louis Vuitton Suitcase belonging to Rene Crevel (1900-35), (leather)
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Recto: The muscles of the back and arm, c.1508 (pen & ink over chalk on paper)
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Verso: The vessels of the neck and shoulder, c.1508 (pen and ink over black chalk on paper)
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The bones and muscles of the arm, c.1510-11 (black chalk, pen and ink, wash on paper)
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f.45r, Handel's Semele autograph score, 1743 (pen & ink on paper)
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A sprig of guilder-rose, c.1506-12 (red chalk, touches of white chalk, on orange-red prepared paper)
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Page from 16th December, in Mozart's Thematic Catalogue (pen & ink on paper)
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Message to the Public, Add.51035, inside back cover, from Captain Scott's Diaries, Vol III, 1912 (pencil on paper)
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Notes for Oedipus XX, c.1975 (ripolin on board)
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Notes for Oedipus XV, c.1975 (ripolin on board)
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The right ventricle and tricuspid valve, c.1512-13 (pen & ink on blue paper)
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Notes for Oedipus V, c.1975 (ripolin on board)
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Notes for Oedipus XIII, c.1975 (ripolin on board)
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Manuscript Of Galileo With Notes On The Satellites Of Jupiter (manuscript)
Notes for Oedipus VI, c.1975 (ripolin on board)
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Studies of the valves of the heart, and sketch of a suditary, and calculations, c.1511-13 (pen & ink on blue paper)
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Recto: Diagram of the spine, nerves, vessels, etc., and notes on the intercostal muscles, c.1508-10 (pen & ink on paper)
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Verso: Notes on reproduction, with sketches of a fetus in utero, etc., c.1511 (pen & ink on paper)
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Recto: Studies for casting apparatus, and miscellaneous notes, c.1492-93 (pen & ink and chalk on paper) (recto of 5676223)
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Recto: A costume study of a prisoner, c.1517-18 (chalk on paper)
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Verso: The muscles of the trunk and leg, c.1510-11 (black chalk, pen & ink and wash on paper)
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Jephtha (oratorio by Thomas Morell), 1751 (pen & ink on paper)
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Recto: The bones of the arm and leg, c.1510-11 (pen and ink with wash, over black chalk on paper)
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Verso: The muscles of the foot, c.1510-11 (pen & ink over some stylus on paper)
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Verso: Studies of the nervous system, c.1485-90 (metalpoint (faded) and pen and ink on blue-grey prepared paper)
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Notes and diagrams on astronomy and geometry, and the head of a horse, c.1503 (pen & ink with black chalk on paper)
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