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Anmerkungen
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  • Permission required for non-editorial use (inc book and magazine covers). Please contact us
Volume IV. Loose papers of mathematical calculations, and annotations, by Thomas Harriott, Add MS 6785, f.436 (parchment)
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Volume IV. Loose papers of mathematical calculations, and annotations, by Thomas Harriott, Add MS 6785, f.30 (parchment)
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Text from the 'Brāhmasphuṭasiddhānta', c.628 (ink on paper)
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Notes on nuns
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Notes for Oedipus I, c.1975 (ripolin on board)
Notes for Oedipus XXI, c.1975 (ripolin on board)
Notes for Oedipus VIII, c.1975 (ripolin on board)
Title page of 'A Vindication of the Rights of Women', by Mary Wollstonecraft, 1792 (engraving)
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Notes on optics, c.1508 (pen & ink with red and black chalk on paper)
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R.M.20.g.3, f.99v from G.F. Handel: Saul (oratorio by Charles Jennens), 1738 (pen & ink on paper)
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Studies of two sedges, c.1510-15 (pen & ink on paper)
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Music score for 'Sweet the Merry Bells Ring Round' John Clare & F.W. Crouch, c.1820 (print)
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Music score for 'Sweet the Merry Bells Ring Round' John Clare & F.W. Crouch, c.1820 (print)
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Add. 9046, f.71r, Psalter in Tironian shorthand, in Latin (parchment)
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Recto: The bones of the foot, and the shoulder, c.1510-11 (pen & ink with wash, over traces of black chalk on paper)
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First page of Handel’s manuscript score of ‘Eternal Source of Light Divine’, 1713 (pen & ink on paper)
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Music score for 'Sweet the Merry Bells Ring Round' John Clare & F.W. Crouch, page 1, c.1820 (print)
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erso: The muscles of the face and arm, and the nerves and veins of the hand, c.1510-11 (black chalk, pen & ink and wash on paper)
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Verdi's handwritten annotations on a copy of the 'Macbeth' libretto
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Short score of Britten’s War Requiem (pencil on paper)
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MS Add. 24198, fol. 132r, Missal, according to the use of the Augustinian Canons Regular, with special insertions for the church of St. Thomas the Martyr, Dublin (vellum)
f.44v, Handel's Semele autograph score
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Titlepage of 'Les Illusions Perdues' with annotations by the author, c.1830-40 (pen & ink on paper)
The hands of St John in the Last Supper, c.1495 (chalk on paper)
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Sloane MS 3846 f.102v Magical notes by Ashmole wax impression of ring inscribed with magical formulae made by Simon Forman in 1598, from 'Magic: Tractatus et experiment magica', 1598 (ink & wax on paper)
Harley 978 f.14, Solmisation table explaining the Gamut, with an untexted melisma demonstrating the extent of the Gamut, from 'Musical miscellany' (parchment)
Recto: Studies of emblems, geometrical diagrams, and notes, c.1508-10 (pen & ink on paper)
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Notes I, 2020 (mixed media)
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premium
R.M.20.f.2 f.37r, Messiah autograph score, showing ‘pifa’ or pastoral symphony, 1741 (pen & ink on paper)
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Louis Vuitton Suitcase belonging to Rene Crevel (1900-35), (leather)
Message to the Public, Add.51035, f.42v, from Captain Scott's Diaries, Vol III, 1912 (pencil on paper)
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Notes for Oedipus c.1975 (ripolin on board)
Recto: The bones of the foot, c.1510-11 (black chalk, pen and ink, wash on paper)
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Verso: Studies of the fetus, related internal organs, and the arm, c.1511 (pen & ink on paper)
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Recto: The torso and leg of a nude man in profile, and a study of machinery, c.1488-90 (pen & ink over traces of black chalk on paper) (recto of 5674284)
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Verso: The vessels of the neck and shoulder, c.1508 (pen and ink over black chalk on paper)
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A sprig of guilder-rose, c.1506-12 (red chalk, touches of white chalk, on orange-red prepared paper)
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Message to the Public, Add.51035, inside back cover, from Captain Scott's Diaries, Vol III, 1912 (pencil on paper)
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The right ventricle and tricuspid valve, c.1512-13 (pen & ink on blue paper)
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Page from 16th December, in Mozart's Thematic Catalogue (pen & ink on paper)
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The bones and muscles of the arm, c.1510-11 (black chalk, pen and ink, wash on paper)
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MS 57555, f.23v, Map of North Africa, from a notebook comprising an historical gazetteer, library-lists, etc.; c.1606-08 (w/c on paper)
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Studies of the valves of the heart, and sketch of a suditary, and calculations, c.1511-13 (pen & ink on blue paper)
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Notes for Oedipus XV, c.1975 (ripolin on board)
Notes for Oedipus XX, c.1975 (ripolin on board)
f.45r, Handel's Semele autograph score, 1743 (pen & ink on paper)
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Recto: The muscles of the back and arm, c.1508 (pen & ink over chalk on paper)
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Verso: Notes on reproduction, with sketches of a fetus in utero, etc., c.1511 (pen & ink on paper)
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Jephtha (oratorio by Thomas Morell), 1751 (pen & ink on paper)
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Recto: A costume study of a prisoner, c.1517-18 (chalk on paper)
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Recto: The bones of the arm and leg, c.1510-11 (pen and ink with wash, over black chalk on paper)
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Verso: The muscles of the foot, c.1510-11 (pen & ink over some stylus on paper)
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Manuscript Of Galileo With Notes On The Satellites Of Jupiter (manuscript)
Notes for Oedipus VI, c.1975 (ripolin on board)
Recto: Diagram of the spine, nerves, vessels, etc., and notes on the intercostal muscles, c.1508-10 (pen & ink on paper)
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Recto: Studies for casting apparatus, and miscellaneous notes, c.1492-93 (pen & ink and chalk on paper) (recto of 5676223)
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Verso: The muscles of the trunk and leg, c.1510-11 (black chalk, pen & ink and wash on paper)
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Notes for Oedipus XIII, c.1975 (ripolin on board)
Notes for Oedipus V, c.1975 (ripolin on board)
Verso: Studies of the nervous system, c.1485-90 (metalpoint (faded) and pen and ink on blue-grey prepared paper)
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