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Anmerkungen
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Volume IV. Loose papers of mathematical calculations, and annotations, by Thomas Harriott, Add MS 6785, f.436 (parchment)
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Volume IV. Loose papers of mathematical calculations, and annotations, by Thomas Harriott, Add MS 6785, f.30 (parchment)
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Notes for Oedipus VIII, c.1975 (ripolin on board)
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Verdi's handwritten annotations on a copy of the 'Macbeth' libretto
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Recto: The bones of the foot, and the shoulder, c.1510-11 (pen & ink with wash, over traces of black chalk on paper)
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Add. 9046, f.71r, Psalter in Tironian shorthand, in Latin (parchment)
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Music score for 'Sweet the Merry Bells Ring Round' John Clare & F.W. Crouch, c.1820 (print)
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Music score for 'Sweet the Merry Bells Ring Round' John Clare & F.W. Crouch, page 1, c.1820 (print)
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First page of Handel’s manuscript score of ‘Eternal Source of Light Divine’, 1713 (pen & ink on paper)
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erso: The muscles of the face and arm, and the nerves and veins of the hand, c.1510-11 (black chalk, pen & ink and wash on paper)
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Short score of Britten’s War Requiem (pencil on paper)
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f.44v, Handel's Semele autograph score
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Dennis the Roadie (pencil on paper)
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Titlepage of 'Les Illusions Perdues' with annotations by the author, c.1830-40 (pen & ink on paper)
MS Add. 24198, fol. 132r, Missal, according to the use of the Augustinian Canons Regular, with special insertions for the church of St. Thomas the Martyr, Dublin (vellum)
The hands of St John in the Last Supper, c.1495 (chalk on paper)
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Sloane MS 3846 f.102v Magical notes by Ashmole wax impression of ring inscribed with magical formulae made by Simon Forman in 1598, from 'Magic: Tractatus et experiment magica', 1598 (ink & wax on paper)
R.M.20.f.2 f.37r, Messiah autograph score, showing ‘pifa’ or pastoral symphony, 1741 (pen & ink on paper)
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Notes I, 2020 (mixed media)
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Harley 978 f.14, Solmisation table explaining the Gamut, with an untexted melisma demonstrating the extent of the Gamut, from 'Musical miscellany' (parchment)
Notes for Oedipus c.1975 (ripolin on board)
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Recto: Studies of emblems, geometrical diagrams, and notes, c.1508-10 (pen & ink on paper)
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Message to the Public, Add.51035, f.42v, from Captain Scott's Diaries, Vol III, 1912 (pencil on paper)
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Louis Vuitton Suitcase belonging to Rene Crevel (1900-35), (leather)
Verso: Studies of the fetus, related internal organs, and the arm, c.1511 (pen & ink on paper)
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Recto: The bones of the foot, c.1510-11 (black chalk, pen and ink, wash on paper)
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Verso: The vessels of the neck and shoulder, c.1508 (pen and ink over black chalk on paper)
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Recto: The torso and leg of a nude man in profile, and a study of machinery, c.1488-90 (pen & ink over traces of black chalk on paper) (recto of 5674284)
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Page from 16th December, in Mozart's Thematic Catalogue (pen & ink on paper)
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Message to the Public, Add.51035, inside back cover, from Captain Scott's Diaries, Vol III, 1912 (pencil on paper)
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A sprig of guilder-rose, c.1506-12 (red chalk, touches of white chalk, on orange-red prepared paper)
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MS 57555, f.23v, Map of North Africa, from a notebook comprising an historical gazetteer, library-lists, etc.; c.1606-08 (w/c on paper)
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Notes for Oedipus XV, c.1975 (ripolin on board)
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Notes for Oedipus XX, c.1975 (ripolin on board)
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The bones and muscles of the arm, c.1510-11 (black chalk, pen and ink, wash on paper)
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The right ventricle and tricuspid valve, c.1512-13 (pen & ink on blue paper)
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Manuscript Of Galileo With Notes On The Satellites Of Jupiter (manuscript)
Notes for Oedipus VI, c.1975 (ripolin on board)
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f.45r, Handel's Semele autograph score, 1743 (pen & ink on paper)
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Studies of the valves of the heart, and sketch of a suditary, and calculations, c.1511-13 (pen & ink on blue paper)
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Notes for Oedipus V, c.1975 (ripolin on board)
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Notes for Oedipus XIII, c.1975 (ripolin on board)
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Recto: The muscles of the back and arm, c.1508 (pen & ink over chalk on paper)
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Recto: Diagram of the spine, nerves, vessels, etc., and notes on the intercostal muscles, c.1508-10 (pen & ink on paper)
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Recto: A costume study of a prisoner, c.1517-18 (chalk on paper)
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Verso: Notes on reproduction, with sketches of a fetus in utero, etc., c.1511 (pen & ink on paper)
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Jephtha (oratorio by Thomas Morell), 1751 (pen & ink on paper)
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Recto: Studies for casting apparatus, and miscellaneous notes, c.1492-93 (pen & ink and chalk on paper) (recto of 5676223)
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Recto: The bones of the arm and leg, c.1510-11 (pen and ink with wash, over black chalk on paper)
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Verso: The muscles of the foot, c.1510-11 (pen & ink over some stylus on paper)
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Verso: The muscles of the trunk and leg, c.1510-11 (black chalk, pen & ink and wash on paper)
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Notes and diagrams on astronomy and geometry, and the head of a horse, c.1503 (pen & ink with black chalk on paper)
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