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John Armstrong

Biography

John Armstrong was born in 1893 in Hastings, Sussex. He was a painter of imaginative subjects, designer of film and stage sets, mural painter and book illustrator. He Studied at St John's College, Oxford and at St John's Wood School of Art from 1913–14. Armstrong served in the Royal Field Artillery during the First World War. His first one-man exhibition was at the Leicester Galleries in 1928. Armstrong was a member of Unit One 1933, where his work then began to be Surrealist in character. In 1956 he painted murals for the ceiling of Bristol Council Chamber. He was an Official War Artist of th John Armstrong was born in 1893 in Hastings, Sussex. He was a painter of imaginative subjects, designer of film and stage sets, mural painter and book illustrator. He Studied at St John's College, Oxford and at St John's Wood School of Art from 1913–14. Armstrong served in the Royal Field Artillery during the First World War. His first one-man exhibition was at the Leicester Galleries in 1928. Armstrong was a member of Unit One 1933, where his work then began to be Surrealist in character. In 1956 he painted murals for the ceiling of Bristol Council Chamber. He was an Official War Artist of the Second World War from 1940-1945. ...


Artwork from 'John Armstrong' found, 185

Labyrinth, 1927 (tempera on card)
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Thin Man in a Derby (oil on canvas)
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Pro Patria 1938, 1938 (tempera on board)
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Sketch for the Rape of Helen, 1929 (oil on canvas)
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The Visitation, 1949 (tempera on card)
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At Your Service (gouache)
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Sunrise, 1938 (tempera on board)
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Psyche Crossing the Styx (gouache on board)
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The Philosopher (In an Upper Room) 1938 (tempera on board)
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Analysis of Easter, 1940 (oil on panel)
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Tilty Church, 1940 (oil on board)
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Resurrection, 1962 (oil on canvas)
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Royal Mail A.D. 1935, 1936 (colour litho)
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Greek Myths, c.1929 (oil on board)
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The Arrival of Danae, 1928/29 (oil on canvas)
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Entry to the Circus, (tempera on board. 48 x 37.5cm)
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Revelations, 1938 (tempera on board)
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Arum Landscape, 1948 (oil on canvas)
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The Bird, c.1927 (tempera on panel)
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Lavatorial (oil on board)
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Landscape, 1940 (tempera on panel)
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Tocsin, 1967 (oil on canvas)
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John Armstrong standing beside the Shell Mex panels, 1933 (b/w photo)
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The Elms (tempera on panel)
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Night, (oil on canvas)
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Windowed Raggedness, 1936 (oil on board)
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Encounter in the Plain, c.1938  (tempera on board)
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Funeral of Harlequin, 1951 (oil on canvas)
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Unit One Composition, 1933 (oil on canvas)
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The Embrace of Love, 1951 (oil on canvas)
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L'Amour, c.1927 (tempera on board)
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Hollow Forms, 1968 (oil on canvas)
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Still Life, 1956 (oil on canvas)
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The Yellow Wall, 1939 (tempera on board)
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Tulips, 1942 (tempera on board)
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Design for Telecinema Mural, South Bank, 1951 (oil on board)
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Flower Piece, 1948 (tempera on board)
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The Passion of the Inanimate, 1947 (tempera on board)
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The Goddess, c. 1937 (tempera on gesso on board)
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Thorn and Seed, 1958 (oil on board)
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Gaslight, 1952 (oil on canvas)
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Flight, 1952 (oil on canvas)
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Seaweed Gatherers, 1944 (tempera on board)
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Still-Life with Vases and Fruit, 1960 (oil on canvas)
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Lilies in a Jug, 1956 (oil on canvas)
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The Battle of Propaganda, 1953 (oil on canvas)
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Thorn and Seed I, 1958 (oil on board)
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Tomato Analysis, 1959 (oil on board)
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Lamorna, 1952 (oil on canvas)
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Argus, 1960 (oil on board)
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The Red Cow
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The Gods Abandoned, 1956 (oil)
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Annette, 1956 (oil on canvas)
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The Fantastic Park, 1961 (oil on card)
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Abstract Composition, 1931 (w/c on paper)
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Reclining lovers (gouache on paper)
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White Arums (a pair), 1951 (oil on canvas and oil on board)
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White Arums (a pair), 1951 (oil on canvas and oil on board)
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Volute, 1947 (tempera on board)
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Icarus, 1961 (oil on canvas)
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The Struggle of Faith, 1951 (oil on canvas)
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Lily in Landscape, 1948 (tempera on board)
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The Pleasure of Flying, 1947 (tempera on board)
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Harlequin, 1941 (tempera on panel)
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Bell Flowers, 1948 (oil on canvas)
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Convocation, 1953 (oil on canvas)
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Phoenix, 1938 (tempera on board)
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The Naked Tree, 1938 (tempera on panel)
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Abstract Linear, c.1957 (oil on canvas)
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The Visitation, 1949 (tempera on card)
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The Battle of Nothing, 1949 (tempera on board)
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Funeral of a Lady, c. 1937 (tempera on board)
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Composition with Classical Ewer, 1955 (oil on canvas)
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Spring, 1944 (oil on board)
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Woman with a Harp, c. 1934 (tempera on board)
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Concert in the Forest, 1937 (tempera on gesso on board)
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Essex, 1940 (tempera)
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Mailcoach, A.D. 1784, 1935 (colour litho) (see also 327474)
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Encounter, 1947 (tempera on board)
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Gaslight, 1952 (oil on canvas)
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The Marriage of the Acrobats, 1925 (w/c)
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Mail Coach A.D. 1784, 1936 (colour litho)
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Madonna, 1945 (tempera on board)
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The Jockey, 1947 (tempera on card)
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Spring, 1944 (tempera on board)
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