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John Armstrong

Biografia

John Armstrong was born in 1893 in Hastings, Sussex. He was a painter of imaginative subjects, designer of film and stage sets, mural painter and book illustrator. He Studied at St John's College, Oxford and at St John's Wood School of Art from 1913–14. Armstrong served in the Royal Field Artillery during the First World War. His first one-man exhibition was at the Leicester Galleries in 1928. Armstrong was a member of Unit One 1933, where his work then began to be Surrealist in character. In 1956 he painted murals for the ceiling of Bristol Council Chamber. He was an Official War Artist of th ...
John Armstrong was born in 1893 in Hastings, Sussex. He was a painter of imaginative subjects, designer of film and stage sets, mural painter and book illustrator. He Studied at St John's College, Oxford and at St John's Wood School of Art from 1913–14. Armstrong served in the Royal Field Artillery during the First World War. His first one-man exhibition was at the Leicester Galleries in 1928. Armstrong was a member of Unit One 1933, where his work then began to be Surrealist in character. In 1956 he painted murals for the ceiling of Bristol Council Chamber. He was an Official War Artist of the Second World War from 1940-1945.


Labyrinth, 1927 (tempera on card)
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Thin Man in a Derby (oil on canvas)
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Pro Patria 1938, 1938 (tempera on board)
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Sketch for the Rape of Helen, 1929 (oil on canvas)
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The Visitation, 1949 (tempera on card)
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At Your Service (gouache)
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Sunrise, 1938 (tempera on board)
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Psyche Crossing the Styx (gouache on board)
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The Philosopher (In an Upper Room) 1938 (tempera on board)
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Analysis of Easter, 1940 (oil on panel)
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Tilty Church, 1940 (oil on board)
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Resurrection, 1962 (oil on canvas)
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Royal Mail A.D. 1935, 1936 (colour litho)
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Greek Myths, c.1929 (oil on board)
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The Arrival of Danae, 1928/29 (oil on canvas)
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Entry to the Circus, (tempera on board. 48 x 37.5cm)
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Revelations, 1938 (tempera on board)
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Design for a mural in the foyer of the Telecinema at the Festival of Britain, 1951 (oil on board)
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Arum Landscape, 1948 (oil on canvas)
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The Bird, c.1927 (tempera on panel)
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Landscape, 1940 (tempera on panel)
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Tocsin, 1967 (oil on canvas)
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Lavatorial (oil on board)
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John Armstrong standing beside the Shell Mex panels, 1933 (b/w photo)
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Night, (oil on canvas)
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The Elms (tempera on panel)
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Abstract Composition, 1931 (watercolour on paper)
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Windowed Raggedness, 1936 (oil on board)
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Encounter in the Plain, c.1938  (tempera on board)
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The King's Messenger, AD 1482, 1935 (gouache on card) (see also 269114)
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Funeral of Harlequin, 1951 (oil on canvas)
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A Head of a Young Man sporting a Wide Brimmed Hat, 1947 (gouache)
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Unit One Composition, 1933 (oil on canvas)
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L'Amour, c.1927 (tempera on board)
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Hollow Forms, 1968 (oil on canvas)
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Still Life, 1956 (oil on canvas)
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The Yellow Wall, 1939 (tempera on board)
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The Goddess, c. 1937 (tempera on gesso on board)
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Flight, 1952 (oil on canvas)
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Seaweed Gatherers, 1944 (tempera on board)
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The Embrace of Love, 1951 (oil on canvas)
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Thorn and Seed, 1958 (oil on board)
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Gaslight, 1952 (oil on canvas)
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The Passion of the Inanimate, 1947 (tempera on board)
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Design for Telecinema Mural, South Bank, 1951 (oil on board)
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Tulips, 1942 (tempera on board)
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The Battle of Propaganda, 1953 (oil on canvas)
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Still-Life with Vases and Fruit, 1960 (oil on canvas)
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Lilies in a Jug, 1956 (oil on canvas)
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Flower Piece, 1948 (tempera on board)
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Thorn and Seed I, 1958 (oil on board)
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Tomato Analysis, 1959 (oil on board)
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Mailcoach, AD 1784, 1935 (gouache on card) (see also 269115)
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The Gods Abandoned, 1956 (oil)
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The Fantastic Park, 1961 (oil on card)
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Annette, 1956 (oil on canvas)
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Lamorna, 1952 (oil on canvas)
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The Red Cow
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Argus, 1960 (oil on board)
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The Naked Tree, 1938 (tempera on panel)
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Lily in Landscape, 1948 (tempera on board)
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Convocation, 1953 (oil on canvas)
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The Pleasure of Flying, 1947 (tempera on board)
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Composition with Classical Ewer, 1955 (oil on canvas)
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The Struggle of Faith, 1951 (oil on canvas)
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Phoenix, 1938 (tempera on board)
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Icarus, 1961 (oil on canvas)
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Woman with a Harp, c. 1934 (tempera on board)
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Stage Set with Classical Buildings and Sculpture, c.1930-35 (oil on canvas)
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Spring, 1944 (oil on board)
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Harlequin, 1941 (tempera on panel)
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Bell Flowers, 1948 (oil on canvas)
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Abstract Linear, c.1957 (oil on canvas)
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Funeral of a Lady, c. 1937 (tempera on board)
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Reclining lovers (gouache on paper)
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White Arums (a pair), 1951 (oil on canvas and oil on board)
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White Arums (a pair), 1951 (oil on canvas and oil on board)
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Volute, 1947 (tempera on board)
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The Visitation, 1949 (tempera on card)
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The Battle of Nothing, 1949 (tempera on board)
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Gaslight, 1952 (oil on canvas)
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Encounter, 1947 (tempera on board)
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Mailcoach, A.D. 1784, 1935 (colour litho) (see also 327474)
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Concert in the Forest, 1937 (tempera on gesso on board)
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The Marriage of the Acrobats, 1925 (w/c)
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Essex, 1940 (tempera)
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Mail Coach A.D. 1784, 1936 (colour litho)
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At Your Service, c.1942 (gouache on board)
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Ravello, c.1930 (w/c on paper)
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On the Balustrade, 1933 (tempera on board)
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