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Dee Conway

Biographie

Photography. It's in my blood I guess. I just have a need to do it - putting light onto film or the digital sensor. Much of the process is attached to feeling, especially when I'm photographing something in nature that really moves me. It's just a way to express what is inside me, from observation of what is outside of me if that makes any sense. There is a spiritual sense in nature that really brings me in and that is the thing I most appreciate about life. From very early on in my life this captured me and never let go. I mean, doesn't everybody just go into awe when they hear an owl hoot Photography. It's in my blood I guess. I just have a need to do it - putting light onto film or the digital sensor. Much of the process is attached to feeling, especially when I'm photographing something in nature that really moves me. It's just a way to express what is inside me, from observation of what is outside of me if that makes any sense. There is a spiritual sense in nature that really brings me in and that is the thing I most appreciate about life. From very early on in my life this captured me and never let go. I mean, doesn't everybody just go into awe when they hear an owl hoot in the dead of night? Or the sound of wind whistling through the trees on a quiet ski slope? I don't know about you, but I don't feel right when I don't see the sun go down each day.

Maybe it all stems from where I come from. We had woods behind our house, big rocks in a small forest on which to eat my peanut butter sandwich, blackberries, raspberries, elderberries and Italian plums to eat, robin's eggs and box turtles to find, deer to see in our yard in the early morning, sunrises and sunsets over the mountains, caterpillars which eventually turned to butterflies, colorful fall leaves that would knock your socks off, and a view of the valley that didn't quit.
...


Tanztheatre Wuppertal in The Rite of Spring, Sadler's Wells Theatre, February 12, 2008 (photo)
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Six Characters in Search of an Author by Luigi Pirandello, Nicholas Wright (photo)
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Merce Cunningham Dance Company (photo)
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Tamara Rojo (photo)
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Leigh Bowery with Michael Clark and Company in 'Because We Must' (photo)
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Michael Clark & Company in 'Because We Must', Battersea, London, 12th-16th December 1988 (photo)
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The Hard Nut - (photo)
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Marcel Marceau - in (photo)
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Ekome Dance Company - (b/w photo)
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Merce Cunningham Dance Company (photo)
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Sidi Larbi Cherkaoui & Antony Gormley, with monks from the Shaolin temple in 'Sutra'. (photo)
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Kirov (Mariinsky) Ballet 'Swan (photo)
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Rite of Spring (photo)
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Igor Stravinsky 's ballet (photo)
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'Ocean' by Merce Cunningham (photo)
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Deborah Bull in 'Sleeping Beauty' (photo)
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Dr Richard Ralph (b/w photo)
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Tanztheater Wuppertal Pina Bausch (photo)
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Michael Clark front, with Michael Clark & Company in 'Because We Must', Battersea, London, 12th-16th December 1988 (photo)
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Dario Fo in "Mistero Buffo", Riverside Studios London, UK, 25 April 1983 (b/w photo)
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American Ballet Theatre performing (photo)
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Jane Dudley (b/w photo)
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'Tombeaux' - Royal Ballet, 2005 (photo)
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National Beijing Opera Company of China. 'The Legend of the White Snake' (photo)
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Bartok 's 'Duke Bluebeard's Castle'. (photo)
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Royal Ballet in 'La Fille Mal Gardee' (photo)
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Restaging of Doris Humphrey's 'The Shakers', London Contemporary Dance School, July 1985 (b/w photo)
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Noddy, Wimbledon Theatre, 23rd September 1993 (photo)
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Play "Rookery Nook" at Greenwich Theatre, London, 1991 (photo)
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Ellen Van Schuylenburch preparing from 'New Puritans', Riverside Studios, London, 1st August 1984 (photo)
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Marcel Marceau - in (photo)
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Michael Clark and Company (b/w photo)
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'The Nutcracker' by Royal Ballet (photo)
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Sidi Larbi Cherkaoui - (photo)
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MAAS Movers (b/w photo)
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'Serious Money' by Caryl Churchill (b/w photo)
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Mark Morris in 'Not (b/w photo)
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Kirov (Mariinsky) Ballet 'The (photo)
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Bolshoi Ballet in 'Cinderella' (photo)
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Royal Ballet Coppelia (photo)
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'The Art of Not Looking Back' by Hofesh Shechter (photo)
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Royal Ballet 'Les Biches'. (photo)
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Igor Zelensky in 'Apollo' (photo)
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Sidi Larbi Cherkaoui & Antony Gormley, with monks from the Shaolin temple in 'Sutra'. (photo)
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'Swan Lake' - performance (photo)
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Michael Clark & Mikhail (photo)
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Ekome Dance Company - (b/w photo)
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MAAS Movers performing at (b/w photo)
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Brim Fuentes, graffiti artist (photo)
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Trisha Brown Company in 'Set and Reset' (b/w photo)
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The Nutcracker - scene (photo)
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Riverdance - scene from (photo)
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'Suenos Flamencos' - scene (photo)
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Giselle - scene from (photo)
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Elena Algado (red) and (photo)
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Michael Clark Company in 'current/SEE' (photo)
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Venom and Antidotes (b/w photo)
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Royal Ballet 'Giselle', 2006 (photo)
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Joaquin Cortes in 'Mi Soledad' (photo)
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Viola Farber, c.1984 (b/w photo)
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Carlos Acosta in 'The Prodigal Son', Royal Opera House, London, 27th January 2004 (photo)
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William Tuckett as Nimrod in "Enigma Variations", Royal Ballet, Royal Opera House London, 24th March 2005 (photo)
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Miranda Tufnell and Dennis Greenwood in 'Landlight', Purcell Room, South Bank Centre, London, 13th April 1989 (b/w photo)
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FABRICATIONS, Carol Teitelbaum & David Kulick. Merce Cunningham Dance Company, Sadler's Wells, 24 July 1987 (photo)
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Babe, the Sheep-Pig. New Victoria Theatre, Woking, 18 November 1997 (photo)
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'Enigma Variations' - Royal Ballet (photo)
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Cyrano de Bergerac Greenwich Theatre 20 Sep 90. (photo)
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English National Ballet in Christopher Hampson's 'The Nutcracker' with designs by Gerald Scarfe (photo)
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Le Parc - scene (photo)
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Leigh Bowery, Michael Clark (photo)
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Michael Clark Company and The Fall. 'I am Curious Orange', 1988 (b/w photo)
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'Firebird' by Birmingham Royal Ballet (photo)
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Royal Ballet 'The Rake's Progress' choreographed by Ninette de Valois inspired by paintings of William Hogarth (photo)
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Mariinsky (Kirov) Ballet 'The Golden Age' (photo)
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Royal Ballet 'The Rake's Progress' choreographed by Ninette de Valois inspired by paintings of William Hogarth (photo)
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MAAS Movers (b/w photo)
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Sylvie Guillem in Romeo and Juliet (b/w photo)
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'High Society' by Cole Porter (b/w photo)
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Khovanshchina by Mariinsky (formerly Kirov) Opera (photo)
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Birmingham Royal Ballet 'Les Petits Riens' (photo)
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Royal Ballet Coppelia (photo)
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Nina Fonaroff (b/w photo)
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Juliet Fisher (b/w photo)
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Dracula - scene from (photo)
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Hedda Gabler - scene (b/w photo)
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The Sleeping Beauty - (photo)
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The Nutcracker - scene (photo)
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Paso Doble - at (photo)
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Sankai Juku - in (b/w photo)
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Michael Clark and Company (b/w photo)
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