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'Dee Conway' immagini e video risultati

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Dee Conway

Biografia

Photography. It's in my blood I guess. I just have a need to do it - putting light onto film or the digital sensor. Much of the process is attached to feeling, especially when I'm photographing something in nature that really moves me. It's just a way to express what is inside me, from observation of what is outside of me if that makes any sense. There is a spiritual sense in nature that really brings me in and that is the thing I most appreciate about life. From very early on in my life this captured me and never let go. I mean, doesn't everybody just go into awe when they hear an owl hoot Photography. It's in my blood I guess. I just have a need to do it - putting light onto film or the digital sensor. Much of the process is attached to feeling, especially when I'm photographing something in nature that really moves me. It's just a way to express what is inside me, from observation of what is outside of me if that makes any sense. There is a spiritual sense in nature that really brings me in and that is the thing I most appreciate about life. From very early on in my life this captured me and never let go. I mean, doesn't everybody just go into awe when they hear an owl hoot in the dead of night? Or the sound of wind whistling through the trees on a quiet ski slope? I don't know about you, but I don't feel right when I don't see the sun go down each day.

Maybe it all stems from where I come from. We had woods behind our house, big rocks in a small forest on which to eat my peanut butter sandwich, blackberries, raspberries, elderberries and Italian plums to eat, robin's eggs and box turtles to find, deer to see in our yard in the early morning, sunrises and sunsets over the mountains, caterpillars which eventually turned to butterflies, colorful fall leaves that would knock your socks off, and a view of the valley that didn't quit.
...


Tanztheatre Wuppertal in The Rite of Spring, Sadler's Wells Theatre, February 12, 2008 (photo)
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Six Characters in Search of an Author by Luigi Pirandello, Nicholas Wright (photo)
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Merce Cunningham Dance Company (photo)
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Leigh Bowery with Michael Clark and Company in 'Because We Must' (photo)
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Tamara Rojo (photo)
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The Hard Nut - (photo)
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Sidi Larbi Cherkaoui & Antony Gormley, with monks from the Shaolin temple in 'Sutra'. (photo)
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Kirov (Mariinsky) Ballet 'Swan (photo)
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Marcel Marceau - in (photo)
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Ekome Dance Company - (b/w photo)
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Igor Stravinsky 's ballet (photo)
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Rite of Spring (photo)
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Michael Clark & Company in 'Because We Must', Battersea, London, 12th-16th December 1988 (photo)
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'Ocean' by Merce Cunningham (photo)
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Deborah Bull in 'Sleeping Beauty' (photo)
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American Ballet Theatre performing (photo)
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Dario Fo in "Mistero Buffo", Riverside Studios London, UK, 25 April 1983 (b/w photo)
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Royal Ballet in 'La Fille Mal Gardee' (photo)
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Ellen Van Schuylenburch preparing from 'New Puritans', Riverside Studios, London, 1st August 1984 (photo)
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Noddy, Wimbledon Theatre, 23rd September 1993 (photo)
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Royal Ballet 'Giselle', 2006 (photo)
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Royal Ballet 'Les Biches'. (photo)
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Michael Clark Company in 'current/SEE' (photo)
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Trisha Brown Company in 'Set and Reset' (b/w photo)
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'Suenos Flamencos' - scene (photo)
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Elena Algado (red) and (photo)
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Michael Clark & Mikhail (photo)
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Sidi Larbi Cherkaoui & Antony Gormley, with monks from the Shaolin temple in 'Sutra'. (photo)
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'The Art of Not Looking Back' by Hofesh Shechter (photo)
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Miranda Tufnell and Dennis Greenwood in 'Landlight', Purcell Room, South Bank Centre, London, 13th April 1989 (b/w photo)
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Carlos Acosta in 'The Prodigal Son', Royal Opera House, London, 27th January 2004 (photo)
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Viola Farber, c.1984 (b/w photo)
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William Tuckett as Nimrod in "Enigma Variations", Royal Ballet, Royal Opera House London, 24th March 2005 (photo)
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Babe, the Sheep-Pig. New Victoria Theatre, Woking, 18 November 1997 (photo)
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FABRICATIONS, Carol Teitelbaum & David Kulick. Merce Cunningham Dance Company, Sadler's Wells, 24 July 1987 (photo)
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Miranda Tufnell in 'Other Rooms', Almeida Theatre, London, 16th November 1981 (b/w photo)
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Miranda Tufnell and Dennis Greenwood in 'Other Rooms', Almeida Theatre, London, 16th November 1981 (b/w photo)
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Michael Clark, preparing for 'New Puritans', Riverside Studios, 1st August 1984 (photo)
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Royal Ballet 'The Rake's Progress' choreographed by Ninette de Valois inspired by paintings of William Hogarth (photo)
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Royal Ballet 'The Rake's Progress' choreographed by Ninette de Valois inspired by paintings of William Hogarth (photo)
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Mariinsky (Kirov) Ballet 'The Golden Age' (photo)
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Cyrano de Bergerac Greenwich Theatre 20 Sep 90. (photo)
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'Firebird' by Birmingham Royal Ballet (photo)
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Michael Clark and Company (b/w photo)
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Paso Doble - at (photo)
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The Nutcracker - scene (photo)
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Hedda Gabler - scene (b/w photo)
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Dracula - scene from (photo)
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The Sleeping Beauty - (photo)
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English National Ballet in Christopher Hampson's 'The Nutcracker' with designs by Gerald Scarfe (photo)
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Khovanshchina by Mariinsky (formerly Kirov) Opera (photo)
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Royal Ballet Coppelia (photo)
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'Enigma Variations' - Royal Ballet (photo)
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Birmingham Royal Ballet 'Les Petits Riens' (photo)
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Sylvie Guillem in Romeo and Juliet (b/w photo)
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Juliet Fisher (b/w photo)
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Nina Fonaroff (b/w photo)
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MAAS Movers (b/w photo)
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