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Ellsworth Kelly

Biographie

Ellsworth Kelly (1923-2015) was an American painter, sculptor, and printmaker known for his minimalist and abstract works. Born in Newburgh, New York, Kelly studied at the Pratt Institute in Brooklyn before serving in the Army during World War II. After the war, he studied at the School of the Museum of Fine Arts in Boston and later at the École des Beaux-Arts in Paris. Kelly's work is characterized by its simplicity, bold colors, and geometric shapes. He was a pioneer of the hard-edge painting movement and his work has been exhibited in major museums around the world, including the Museum of Ellsworth Kelly (1923-2015) was an American painter, sculptor, and printmaker known for his minimalist and abstract works. Born in Newburgh, New York, Kelly studied at the Pratt Institute in Brooklyn before serving in the Army during World War II. After the war, he studied at the School of the Museum of Fine Arts in Boston and later at the École des Beaux-Arts in Paris. Kelly's work is characterized by its simplicity, bold colors, and geometric shapes. He was a pioneer of the hard-edge painting movement and his work has been exhibited in major museums around the world, including the Museum of Modern Art in New York and the Centre Pompidou in Paris. Throughout his career, Kelly received numerous awards and honors, including the National Medal of Arts in 2013. He passed away in 2015 at the age of 92, leaving behind a legacy as one of the most influential artists of the 20th century. ...


Oeuvre de 'Ellsworth Kelly' trouvé, 58

Train Landscape, 1952-53 (oil on canvas)
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Green and Black, 1988 (oil on canvas)
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Spectrum II, 1966-67 (oil on canvas)
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Blue Red, 1964 (oil on canvas)
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Tableau Vert, 1952 (oil on wood)
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Magnolia, 1966 (lithograph)
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Yellow over Dark Blue, 1964-1965 (lithograph)
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Red-Orange Panel (acrylic lacquer on aluminum)
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Yellow / Orange, 1970 (colour litho)
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Magnolia, 1986 (pencil on cream paper)
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Black and White, 1960-61 (oil on canvas)
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Red-Orange Panel (acrylic lacquer on aluminum)
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Study for Cité: Brushstrokes Cut into Twenty Squares and Arranged by Chance, 1951 (collage of brush & black ink on off-white wove paper, cut and laid down with brown gummed paper tape on wood pulp board)
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Primary Tapestry, 1968 (handwoven wool)
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Orange with Blue, 1964-1965 (lithograph)
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Spectrum Colors Arranged by Chance IV, 1951 (collage of commercially printed colored papers, cut & laid down on ivory laid paper)
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Blue And Yellow And Red-Orange (colour lithograph on cream wove bfk rives paper)
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Dark Red-Violet Panel (acrylic lacquer on aluminum)
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Red Arrow (colour litho)
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Red Black, 1971 (silkscreen)
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White Panel (acrylic lacquer on aluminum)
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Untitled, 1982-1983 (stainless steel)
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Red Panel, 1980 (oil on canvas)
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Untitled (EK 927), 2005 (bronze)
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The Mallarmé Suite (Black) (lithograph on rives bfk paper)
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Vert Avec Rouge series VI, no. 8, 1964 (litho on rives paper)
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Yellow with Dark Blue, 1964-1965 (lithograph)
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Green Blue Red, 1964 (oil on paper)
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White Blue, 1960 (oil on canvas)
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Black Panel (acrylic lacquer on aluminum)
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The Mallarmé Suite (Blue) (lithograph on rives bfk paper)
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Dark Blue Panel (acrylic lacquer on aluminum)
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Untitled (Asxom 84), 1972 (lithograph on paper)
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Red Curve (Radius of 8') 1973-75 (litho with embossing on BFK paper)
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The Mallarmé Suite (green), 1992 (lithograph on Rives BFK paper)
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The Mallarme Suite (blue), 1992 (litho on Rives BFK paper)
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Green/Red-Orange/Blue, 1971 (colour litho)
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Yellow, 1964-1965 (lithograph)
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Dark Blue with Red, 1964-1965 (lithograph)
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Orange and Blue over Yellow, 1964-1965 (lithograph)
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Red Panel (acrylic lacquer on aluminum)
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Yellow over Black, 1964-1965 (lithograph)
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Black over Yellow, 1964-1965 (lithograph)
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Light Green Panel (acrylic lacquer on aluminum)
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Colored Paper Image XIV (Yellow Curve), 1976 (coloured and pressed paper pulp)
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Yellow Orange, 1968
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Yellow Piece, 1966 (acrylic on canvas)
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The Mallarme Suite (black), 1992 (litho on Rives BFK paper)
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Orange over Blue, 1964-1965 (lithograph)
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Black Panel (acrylic lacquer on aluminum)
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The Mallarmé Suite (red), 1992 (lithograph on Rives BFK paper)
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Maquette for Houston Triptych, 1986 (painted cardboard)
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Yellow Panel (acrylic lacquer on aluminum)
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Dark Green Panel I (acrylic lacquer on aluminum)
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Gray Panel (acrylic lacquer on aluminum)
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Dark Blue Panel (acrylic lacquer on aluminum)
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Houston Triptych, 1986 (bronze)
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Study for Wall Piece for the Dallas Symphony I (EK 807), 1989 (pencil and collage on paper)
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