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| 领域 | 搜索词 | 示例 |
| 资产标题 | 标题： | 标题：小马 |
| 资产标题与关键词 | ~ | ~小马 |
| 资产描述文本 | 描述： | 描述：伦敦 |
| 机构前缀 | 前缀：或 $ | 前缀:LAL 或 $LAL |
| 资产ID | imageid: 或 # | imageid:250297 或 imageid:[2500 至 4000] 或 #1551 |
| 机构名称 | coll: | coll:历史 |
| 中型 | 媒介： | 媒介：油 |
| 世纪 | 世纪： | 世纪：20世纪 |
| 关键词 | 千瓦： | kw:狗 |
| 艺术家名称 | 艺术家：还是？ | 艺术家：莫奈或莫奈？ |
| 艺术家国籍 | 夜： | nat:法语 |
| 创作者ID | creatorid： | creatorid:37 |
| 位置 | 地点：or @ | 地点：埃克塞特或@埃克塞特 |
| 分类 | 类： | 类别：57 或 #57。未分类资产请使用 # 标记 |
| 年 | 年： | 年份：1850 或 年份：[1700 至 1800] |
b. 1932<br> Ken Howard studied at Hornsea College of Art, the Royal College of Art and received the British Council Scholarship to study in Florence. Elected to the RA in 1971 and a member of the NEAC, Howard is represented in many private and public collections. <br> <br> Howard’s technique is his signature; his subject matter is wide-ranging – from informal studio interiors to urban and rural landscapes. His pictures prove him to be an invisible observer; often his model is portrayed in repose or turned away, and he frequently views streets from unusual angles. The manipulation of light b. 1932<br> Ken Howard studied at Hornsea College of Art, the Royal College of Art and received the British Council Scholarship to study in Florence. Elected to the RA in 1971 and a member of the NEAC, Howard is represented in many private and public collections. <br> <br> Howard’s technique is his signature; his subject matter is wide-ranging – from informal studio interiors to urban and rural landscapes. His pictures prove him to be an invisible observer; often his model is portrayed in repose or turned away, and he frequently views streets from unusual angles. The manipulation of light (filtered, dappled or falling in clear-cut shafts over an arrangement) defines the mood of an image in his work.<br> ...
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