Your selection
Clear selectionLeave the work to our dedicated Account Managers.
Item added to cart
Find Your Perfect Match The top results are exact matches, while the rest are visually similar images curated from our archive.
Drag file here
Upload
Processing search results
Waiting for update..
Error:
Searching for a particular field
| Field | Search term | Example |
| Asset title | title: | title:pony |
| Asset title and keywords | ~ | ~pony |
| Asset description text | description: | description:london |
| Agency prefix | prfx: or $ | prfx:lal or $LAL |
| Asset id | imageid: or # | imageid:250297 or imageid:[2500 TO 4000] or #1551 |
| Agency name | coll: | coll:history |
| Medium | medium: | medium:oil |
| Century | century: | century:20th |
| Keywords | kw: | kw:dog |
| Artist name | artist: or ? | artist:monet or ?monet |
| Artist nationality | nat: | nat:French |
| Creator ID | creatorid: | creatorid:37 |
| Location | loc: or @ | loc:exeter or @exeter |
| Classification | class: | class:57 or #57. Use # for unclassified assets |
| Year | year: | year:1850 or year:[1700 TO 1800] |
b. 1932<br> Ken Howard studied at Hornsea College of Art, the Royal College of Art and received the British Council Scholarship to study in Florence. Elected to the RA in 1971 and a member of the NEAC, Howard is represented in many private and public collections. <br> <br> Howard’s technique is his signature; his subject matter is wide-ranging – from informal studio interiors to urban and rural landscapes. His pictures prove him to be an invisible observer; often his model is portrayed in repose or turned away, and he frequently views streets from unusual angles. The manipulation of light b. 1932<br> Ken Howard studied at Hornsea College of Art, the Royal College of Art and received the British Council Scholarship to study in Florence. Elected to the RA in 1971 and a member of the NEAC, Howard is represented in many private and public collections. <br> <br> Howard’s technique is his signature; his subject matter is wide-ranging – from informal studio interiors to urban and rural landscapes. His pictures prove him to be an invisible observer; often his model is portrayed in repose or turned away, and he frequently views streets from unusual angles. The manipulation of light (filtered, dappled or falling in clear-cut shafts over an arrangement) defines the mood of an image in his work.<br> ...
We partner with the world's leading museums, galleries and artists, so you have access to the highest-quality imagery.
Our teams can help you find the perfect content and take care of all of the copyright and licensing requirements.
Bridgeman Images
17-19 Garway Road
London, W2 4PH
United Kingdom
T: +44 (0)20 7727 4065
© Copyright 2026 Bridgeman Art Library Limited. Registered in England and Wales as company number 01056394.
