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b. 1932<br> Ken Howard studied at Hornsea College of Art, the Royal College of Art and received the British Council Scholarship to study in Florence. Elected to the RA in 1971 and a member of the NEAC, Howard is represented in many private and public collections. <br> <br> Howard’s technique is his signature; his subject matter is wide-ranging – from informal studio interiors to urban and rural landscapes. His pictures prove him to be an invisible observer; often his model is portrayed in repose or turned away, and he frequently views streets from unusual angles. The manipulation of light b. 1932<br> Ken Howard studied at Hornsea College of Art, the Royal College of Art and received the British Council Scholarship to study in Florence. Elected to the RA in 1971 and a member of the NEAC, Howard is represented in many private and public collections. <br> <br> Howard’s technique is his signature; his subject matter is wide-ranging – from informal studio interiors to urban and rural landscapes. His pictures prove him to be an invisible observer; often his model is portrayed in repose or turned away, and he frequently views streets from unusual angles. The manipulation of light (filtered, dappled or falling in clear-cut shafts over an arrangement) defines the mood of an image in his work.<br> ...
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