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Max Bill

Biography

Swiss sculptor, painter, typographer, and teacher studied at the Bauhaus (1927-1929) and remained faithful to that institution's tenets throughout his life. Bill relied on mathematics and geometry to create his paintings and sculptural works, and is associated with the theories of concrete art. His works are abstract, based on grid systems or concerned with geometric conundrums such as the Möbius strip. He was an active member of the Abstraction-Création group, and was rector of the Ulm Hochschule für Gestaltung from 1951-1955. He also acted as architect of the HFG's buildings. Swiss painter, Swiss sculptor, painter, typographer, and teacher studied at the Bauhaus (1927-1929) and remained faithful to that institution's tenets throughout his life. Bill relied on mathematics and geometry to create his paintings and sculptural works, and is associated with the theories of concrete art. His works are abstract, based on grid systems or concerned with geometric conundrums such as the Möbius strip. He was an active member of the Abstraction-Création group, and was rector of the Ulm Hochschule für Gestaltung from 1951-1955. He also acted as architect of the HFG's buildings. Swiss painter, sculptor and architect; d. 12/9/94 in Berlin. ...


Artwork from 'Max Bill' found, 16

The Endless Ribbon (stone)
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Untitled, 1970 (colour litho)
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Switzerland Art Max Bill, 1968 (b/w photo)
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  • Not available to clients invoiced in Liechstenstein;Not available to clients invoiced in Switzerland
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1 -4 Around White, 1969 (oil on canvas)
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Three Equal Volumes, 1969 (plexiglas) (see also 420548)
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Construction, 1968 (black granite)
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Three Equal Volumes, 1969 (plexiglas) (see also 420549)
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Yellow Center, 1966-69 (oil on canvas)
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Max Bill, Zurich, Switzerland, 1989 (b/w photo)
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  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
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Tip-top Garage, Ford, 1933 (silkscreen)
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Transcolouration with Violet and Red, 1972-74 (oil on canvas)
Switzerland Art Max Bill, 1973 (b/w photo)
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Silkscreen in 4 Colours, 1970 (ink on paper)
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USA, Washington DC, Hirshhorn Museum and Sculpture Garden, 1962 (granite)
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Rhythm in Space, 1962 (granite)
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