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Max Bill

Biographie

Swiss sculptor, painter, typographer, and teacher studied at the Bauhaus (1927-1929) and remained faithful to that institution's tenets throughout his life. Bill relied on mathematics and geometry to create his paintings and sculptural works, and is associated with the theories of concrete art. His works are abstract, based on grid systems or concerned with geometric conundrums such as the Möbius strip. He was an active member of the Abstraction-Création group, and was rector of the Ulm Hochschule für Gestaltung from 1951-1955. He also acted as architect of the HFG's buildings. Swiss painter, Swiss sculptor, painter, typographer, and teacher studied at the Bauhaus (1927-1929) and remained faithful to that institution's tenets throughout his life. Bill relied on mathematics and geometry to create his paintings and sculptural works, and is associated with the theories of concrete art. His works are abstract, based on grid systems or concerned with geometric conundrums such as the Möbius strip. He was an active member of the Abstraction-Création group, and was rector of the Ulm Hochschule für Gestaltung from 1951-1955. He also acted as architect of the HFG's buildings. Swiss painter, sculptor and architect; d. 12/9/94 in Berlin. ...


Oeuvre de 'Max Bill' trouvé, 16

The Endless Ribbon (stone)
Copyright
  • Le droit d'auteur s'applique
Untitled, 1970 (colour litho)
Copyright
  • Le droit d'auteur s'applique
Poster advertising the 1947 exhibition of the Association of Modern Swiss Artists, 1947 (silkscreen)
Switzerland Art Max Bill, 1968 (b/w photo)
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  • Permission required for non-editorial use (inc book and magazine covers). Please contact us
Restrictions relatives au partenaire de contenu
  • Not available to clients invoiced in Liechstenstein;Not available to clients invoiced in Switzerland
Copyright
  • Le droit d'auteur s'applique
Three Equal Volumes, 1969 (plexiglas) (see also 420548)
Copyright
  • Le droit d'auteur s'applique
1 -4 Around White, 1969 (oil on canvas)
Copyright
  • Le droit d'auteur s'applique
Max Bill, Zurich, Switzerland, 1989 (b/w photo)
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  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
Copyright
  • Le droit d'auteur s'applique
Yellow Center, 1966-69 (oil on canvas)
Copyright
  • Le droit d'auteur s'applique
Three Equal Volumes, 1969 (plexiglas) (see also 420549)
Copyright
  • Le droit d'auteur s'applique
Construction, 1968 (black granite)
Copyright
  • Le droit d'auteur s'applique
Tip-top Garage, Ford, 1933 (silkscreen)
Copyright
  • Le droit d'auteur s'applique
Transcolouration with Violet and Red, 1972-74 (oil on canvas)
Copyright
  • Le droit d'auteur s'applique
Switzerland Art Max Bill, 1973 (b/w photo)
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  • Permission required for non-editorial use (inc book and magazine covers). Please contact us
Restrictions relatives au partenaire de contenu
  • Not available to clients invoiced in Liechstenstein;Not available to clients invoiced in Switzerland
Copyright
  • Le droit d'auteur s'applique
Silkscreen in 4 Colours, 1970 (ink on paper)
Copyright
  • Le droit d'auteur s'applique
USA, Washington DC, Hirshhorn Museum and Sculpture Garden, 1962 (granite)
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Copyright
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Rhythm in Space, 1962 (granite)
Copyright
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