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'Max Bill' immagini e video risultati

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Max Bill

Biografia

Swiss sculptor, painter, typographer, and teacher studied at the Bauhaus (1927-1929) and remained faithful to that institution's tenets throughout his life. Bill relied on mathematics and geometry to create his paintings and sculptural works, and is associated with the theories of concrete art. His works are abstract, based on grid systems or concerned with geometric conundrums such as the Möbius strip. He was an active member of the Abstraction-Création group, and was rector of the Ulm Hochschule für Gestaltung from 1951-1955. He also acted as architect of the HFG's buildings. Swiss painter, Swiss sculptor, painter, typographer, and teacher studied at the Bauhaus (1927-1929) and remained faithful to that institution's tenets throughout his life. Bill relied on mathematics and geometry to create his paintings and sculptural works, and is associated with the theories of concrete art. His works are abstract, based on grid systems or concerned with geometric conundrums such as the Möbius strip. He was an active member of the Abstraction-Création group, and was rector of the Ulm Hochschule für Gestaltung from 1951-1955. He also acted as architect of the HFG's buildings. Swiss painter, sculptor and architect; d. 12/9/94 in Berlin. ...


Opera di 'Max Bill' trovata, 16

The Endless Ribbon (stone)
Copyright/Diritti d'Autore
  • In Copyright
Untitled, 1970 (colour litho)
Copyright/Diritti d'Autore
  • In Copyright
Poster advertising the 1947 exhibition of the Association of Modern Swiss Artists, 1947 (silkscreen)
Switzerland Art Max Bill, 1968 (b/w photo)
Permessi
  • Permission required for non-editorial use (inc book and magazine covers). Please contact us
Il Content Partner applica le seguenti restrizioni
  • Not available to clients invoiced in Liechstenstein;Not available to clients invoiced in Switzerland
Copyright/Diritti d'Autore
  • In Copyright
1 -4 Around White, 1969 (oil on canvas)
Copyright/Diritti d'Autore
  • In Copyright
Three Equal Volumes, 1969 (plexiglas) (see also 420548)
Copyright/Diritti d'Autore
  • In Copyright
Construction, 1968 (black granite)
Copyright/Diritti d'Autore
  • In Copyright
Three Equal Volumes, 1969 (plexiglas) (see also 420549)
Copyright/Diritti d'Autore
  • In Copyright
Yellow Center, 1966-69 (oil on canvas)
Copyright/Diritti d'Autore
  • In Copyright
Max Bill, Zurich, Switzerland, 1989 (b/w photo)
Restrizioni immagine
  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
Copyright/Diritti d'Autore
  • In Copyright
Tip-top Garage, Ford, 1933 (silkscreen)
Copyright/Diritti d'Autore
  • In Copyright
Transcolouration with Violet and Red, 1972-74 (oil on canvas)
Copyright/Diritti d'Autore
  • In Copyright
Switzerland Art Max Bill, 1973 (b/w photo)
Permessi
  • Permission required for non-editorial use (inc book and magazine covers). Please contact us
Il Content Partner applica le seguenti restrizioni
  • Not available to clients invoiced in Liechstenstein;Not available to clients invoiced in Switzerland
Copyright/Diritti d'Autore
  • In Copyright
Silkscreen in 4 Colours, 1970 (ink on paper)
Copyright/Diritti d'Autore
  • In Copyright
USA, Washington DC, Hirshhorn Museum and Sculpture Garden, 1962 (granite)
Permessi
  • Permission required for product and merchandise licensing - Please contact us;Permission required for subscription use - Please contact us
Copyright/Diritti d'Autore
  • In Copyright
Rhythm in Space, 1962 (granite)
Copyright/Diritti d'Autore
  • In Copyright